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This etext was prepared by Donald Lainson,detailed action figures [email protected] A Guide to the Best Historical Novels and Talesby Jonathan Nield "These historical novels have taught all men this truth, whichlooks like a truism, and yet was as good as unknown to writersof history and others, till so taught: that the bygone ages ofthe world were actually filled by living men, not by protocols,state-papers, controversies, and abstractions of men." —Carlyle on the Waverley novels. Contents Introduction Pre-Christian Era First Century Second Century Third Century Fourth Century Fifth Century Sixth Century Seventh Century Eighth Century Ninth Century Tenth Century Eleventh Century Twelfth Century Thirteenth Century Fourteenth Century Fifteenth Century Sixteenth Century Seventeenth Century Eighteenth Century Nineteenth Century Supplementary List (Semi-Historical) Suggested Courses of Reading (Juvenile) Bibliography INTRODUCTION.It is not proposed, in these preliminary remarks, to sketch indetail the origin and growth of the Historical Novel; this hasalready been amply done by Professor Saintsbury and others. Ishall be content to approach the subject on its general side,offering, at the same time, some critical suggestions which will, Ihope, not be without value to readers of Romance. But, first of all, I must explain how the List which follows cameto be compiled, and the object I have in offering it. For manyyears I have been an assiduous reader of novels and tales in whichthe historical element appeared, supplementing my own reading inthis direction by a careful study of all that I could find in theway of Criticism on such works and their writers. Only in this waycould I venture on a selection involving a survey of severalthousand volumes! With the above understanding, I can say that nobook has been inserted without some reason, while I have made allpossible effort to obtain accuracy of description. And this leadsme to remark, that just in this process of selection do I claimoriginality for my List. Nearly twenty years ago an excellent"Descriptive Catalogue of Historical Novels and Tales" waspublished; Mr. H. Courthope Bowen was the compiler,* and I wouldhere mention my indebtedness to him. In Mr. Bowen's list, however,one finds good and bad alike—all the works of even such moderatelyendowed writers as G. P. R. James, Ainsworth, Grant, etc., arethere set down. It seemed to me that, not only was there room fora new list of Historical Novels (Stevenson, Marion Crawford, ConanDoyle, Weyman, Mason, and a number of more or less capableromancists having come forward in the last twenty years), but,also, that more than ever was there a need for some sort of clue inthe search for such books. In the last year or two there has beenan almost alarming influx in this department of Fiction, andteachers in schools, besides readers in general, may be glad to besaved a somewhat tedious investigation. * "A Descriptive Catalogue of Historical Novels and Tales, for theuse of School Libraries and Teachers of History," compiled anddescribed by H. Courthope Bowen, M. A. (Edward Stanford, 1882.) Having thus attempted to justify the existence of my little"Guide," I pass on to deal with the subject of Historical Fictionitself. Most of us, I suppose, at one time or another haveexperienced a thrill of interest when some prominent personage,whom we knew well by repute, came before us in the flesh. Wewatched his manner, and noted all those shades of expression whichin another's countenance we should have passed by unheeded. Well,it seems to me that, parallel with this experience, is that whichwe gain, when, reading some first-rank romance, we encounter in itspages a figure with which History has made us more or lessfamiliar. And I would remark that the great masters do not, as arule, make that mistake which less skilful writers fall into—themistake of introducing well-known historical figures toofrequently. The Cromwell of "Woodstock" has an element of mysteryabout him, even while he stands out before our mental vision inbold relief. Had Scott brought him more prominently into the plot,and thus emphasized the fictional aspect of his figure, ourinterest in the story, as such, might have been sustained, but weshould have lost that atmosphere of vraisemblance which, under amore careful reserve, the hand of the master has wrought for us. But it is not only this introduction of personalities whichconstitutes a novel "historical"; the mere allusion to real events,or the introduction of dates, may give us sufficient ground foridentifying the period with which a novel deals. Of course thequestion as to whether a particular person or event is trulyhistorical, is not always an easy one to answer. By the adaptationin it of some purely mythical character or event, a novel is nomore constituted "historical" than is a Fairy-tale by theadaptation of folklore. King Arthur and Robin Hood areunhistorical, and, if I have ventured to insert in my list certaintales which deal with the latter, it is not on that account, butbecause other figures truly historical (e.g., Richard I.) appear.As there has been some dispute on this question of the HistoricalNovel proper, I offer the following definition:—A Novel isrendered Historical by the introduction of dates, personages, orevents, to which identification can be readily given. I am quiteaware that certain well-known novels which give the generalatmosphere of a period—such, for example, as Hawthorne's "ScarletLetter" and Mr. Hewlett's "Forest Lovers"—do not come within thescope of my definition; but this is just why I have added a"Supplementary List" of semi-historical tales. And, while I amalluding to this "Supplementary List," I should like to give myreason for omitting from it one remarkable book which has everyclaim to be considered representative of the mid-nineteenthcentury. Readers of "John Inglesant" may be reminded that in hisinteresting preface Mr. Shorthouse alludes to William Smith'sphilosophical novel—"Thorndale." As a picture of Thoughtdevelopments in the early Victorian period, the latter work hasspecial historical interest for the philosophical and theologicalstudent; in this respect it may be likened to Pater's "Marius theEpicurean," which vividly reproduces the Intellectual ferment of anearlier age. "Thorndale," however, is primarily didactic, and thephilosophical dialogues (interesting as these are to themetaphysician) hardly atone to the general reader for an almostentire absence of plot. The above is, doubtless, an altogetherextreme instance, but the exclusion of several other works from thecategory of Romance seems to follow on something like the samegrounds. Becker's "Charicles" and "Gallus" are little more thanschool textbooks, while, turning to a less scholarly quarter,Ainsworth's "Preston Fight," and even his better-known "GuyFawkes," may be cited as illustrating what Mr. Shorthouse meanswhen he speaks of novels "in which a small amount of fiction hasbeen introduced simply for the purpose of relating History." Inall such cases the average novel-reader feels that he has beenallured on false pretences. I am well aware that not a few of thebooks included in my List might be considered to fall under thesame ban, but I think it will be found that in most of them thereis at least a fair attempt to arouse narrative interest. Coming to the List itself, it will be noticed that I have beensomewhat sparing in the books given under the "Pre-Christian"heading. Novels dealing with these very far-off times are apt tobe unsatisfactory; the mist in which events and personages areenveloped, takes away from that appearance of reality which is thegreat charm of the historical novel. We are hardly concerned, inreading "Sarchedon" and similar books, to get away from the purelyimaginary pictures which spring from the Novelist's own brain, andthe danger is that the very elements which add to our interest inthe tale as such, will go far to mislead us in our conception ofthe period dealt with. There is none of that sense of familiaritywhich we enjoy when reading a sixteenth or seventeenth centuryromance; in the latter case, the historical background, beingeasily perceptible, merges for us with the creations of theauthor's own imagination. Where the writer of an "ancient" romancehappens to be a scholar like Ebers, we feel that—so far at leastas historical presentment goes—we cannot be far wrong, but thecombination of great scholarship and narrative capacity is, alas,too rare! I have likewise refrained from giving many tales dealing withEarly-Christian times. We are here, it must be admitted, oncontroversial ground, and under the First Century heading I haveendeavoured to insert romances of the highest quality only. Forinstance, I think that Dr. Abbott's "Philochristus" and Wallace's"Ben Hur" ought to satisfy two different types of readers. Andthis is the place, doubtless, to say that in my lists will be foundbooks of widely differing merit and aim. School teachers, andothers in like capacity, will easily discriminate between authorssuitable for juvenile or untrained tastes, and authors whose appealis specially to those of maturer thought and experience. Differingas much in method and style as in choice of period and charactertype, Thackeray's "Vanity Fair" and George Eliot's "Romola" have atleast this in common—they require a very high degree ofintelligence for their due appreciation. Who, among those of uswith any knowledge of such works, would dream of recommending themto a youthful reader fresh from the perusal of Miss Yonge's "LittleDuke," or Captain Marryatt's "Children of the New Forest"? Naturally in a list of this kind there is bound to be very greatinequality; certain periods have been wholly ignored by writers ofthe first rank, while in others we have something like an embarrasde richesse. Consequently, I have been compelled, here and there,to insert authors of only mediocre merit. In other cases, again, Ihave not hesitated to omit works by writers of acknowledgedposition when these have seemed below the author's usual standard,and where no gap had to be filled. I would instance the James II.-William III. period. Here Stanley Weyman and "Edna Lyall" mighthave been represented, but, there being no dearth of good novelsdealing with both the above reigns, I did not deem it advisable tocall in these popular writers at the point which has been verygenerally considered their lowest. I mention this to show thatomissions do not necessarily mean ignorance, though, in coveringsuch an immense ground, I cannot doubt that romances worthy of aplace in my list have been overlooked. I think many will be surprised to find how large a proportion of our best writers (English and American) have entered the domain of Historical or Semi-Historical Romance. Scott, Thackeray, Dickens, George Eliot, Charlotte Bronte, George Meredith, R. L. Stevenson, Hawthorne, Peacock, Charles Kingsley, Henry Kingsley, Charles Reade, Anthony Trollope, Mrs. Gaskell, Walter Besant, Lytton, Disraeli, J. H. Newman, J. A. Froude, and Walter Pater—these are a few of the names which appear in the following pages; while Tolstoy, Dumas, Balzac, George Sand, Victor Hugo, De Vigny, Prosper Merimee, Flaubert, Theophile Gautier, Freytag, Scheffel, Hauff, Auerbach, Manzoni, Perez Galdos, Merejkowski, Topelius, Sienkiewicz, and Jokai are, perhaps, the chief amongst those representing Literatures other than our own.
"The Last Days of Pompeii," "The Gladiators," "Hypatia," "Harold," "Ivanhoe," "The Talisman," "Maid Marian," "The Last of the Barons," "Quentin Durward," "Romola," "The Cloister and the Hearth," "The Palace of the King," "Westward Ho!", "Kenilworth," "The Chaplet of Pearls," "A Gentleman of France," "John Inglesant," "The Three Musketeers," "Twenty Years After," "Woodstock," "Peveril of the Peak," "Old Mortality," " The Betrothed Lovers" ("I Promessi Sposi"), "Lorna Doone," "The Refugees," "In the Golden Days," "The Courtship of Morice Buckler," "Dorothy Forster," "The Men of the Moss Hags," "Esmond," "The Virginians," "Heart of Midlothian," "Waverley," "The Master of Ballantrae," "Kidnapped," "Catriona," "The Chaplain of the Fleet," "The Seats of the Mighty," "Barnaby Rudge," "A Tale of Two Cities," "War and Peace"—what visions do these mere titles arouse within many of us! And, though most of the books given in my list cannot be described in the same glowing terms as the masterpieces just named, yet many "nests of pleasant thoughts" may be formed through their companionship.
Hitherto allusion has been mainly in the direction of modernauthors, and I would now say a word or two in regard to those of anearlier period who are also represented. Defoe, Fielding,Richardson, Goldsmith, Smollett, Frances Burney, Samuel Lover, JohnGalt, Maria Edgeworth, Susan Ferrier, William Godwin, Mary Shelley,Fennimore Cooper, J. G. Lockhart, Leigh Hunt, Thos. Moore, HarrietMartineau, J. L. Motley, Horace Smith, Charles Lever, MeadowsTaylor, and Wm. Carleton,—these (in greater or less degree)notable names were bound to have a place; and, coming to lessdistinguished writers, I may mention the brothers Banim, GeraldGriffin, Mrs. S. C. Hall, Lady Morgan, the sisters Porter, W. G.Simms, George Croly, Albert Smith, G. R. Gleig, W. H. Maxwell, SirArthur Helps, Eliot Warburton, Lewis Wingfield, Thomas Miller, C.Macfarlane, Grace Aguilar, Anne Manning, and Emma Robinson (authorof "Whitefriars"). To G. P. R. James, Harrison Ainsworth, andJames Grant I have previously alluded. It has been my endeavour tochoose the best examples of all the above-named novelists—a taskrendered specially difficult in some cases by the fact of immenseliterary output. Doubtless not a few of the works so chosen areopen to criticism, but they will at least serve to illustratecertain stages in the growth of Historical Romance. With theexclusion of Mrs. Radcliffe, Mrs. Marsh, Mrs. Gore, LadyBlessington, Lady Fullerton, Mrs. Bray, and Mrs. Child, few will, Iimagine, find fault; but writers like Miss Tucker (A. L. O. E.) andMiss Emily Holt still find so many readers in juvenile quarters,that it has required a certain amount of courage to place them alsoon my Index Expurgatorius! Turning once again to writers of thesterner sex, I have ruled out C. R. Maturin, G. W. M. Reynolds, andPierce Egan, Junr.; and (quitting the "sensational" for the "mildlyentertaining") out of the Rev. J. M. Neale's many historical talesI have selected only one—"Theodora Phranza," which, besides beingwell written, has the merit of dealing with a somewhat neglectedperiod. Stories possessing a background of History are to be foundin "Tales from Blackwood," as also in "Wilson's Tales of theBorders," but their extremely slight character seemed scarcely tojustify insertion; while not even the high literary positionattained by him on other grounds reconciled me to either of AllanCunningham's novels—"Sir Michael Scott" and "Paul Jones." Of the Foreign novelists appearing in my list, several have beenalready named, but Marchese D'Azeglio, F. D. Guerrazzi, CesareCantu, "W. Alexis" (G. Haring), H. Laube, Louise Mulbach (Klara M.Mundt), Nicolas Josika, Viktor Rydberg, Hendrik Conscience, XavierB. Saintine, Amedee Achard, and "Erckmann-Chatrian" here call fornotice as not coming under strictly Contemporary classification. Iwould forestall the criticism that two writers have been passedover whose fame is greater than any of those just mentioned, viz.:"Stendhal" (Henri Beyle) and Alphonse Daudet. Beyle's "LaChartreuse de Parme," though containing the oft-praised account ofWaterloo, is far more Psychological than Historical; and Daudet's"Robert Helmont," while it depicts (under Diary form) certainaspects of the Franco-German War, has hardly any plot runningthrough it. As the Waterloo and Franco-German War periods wereamply illustrated in numerous other novels of more assuredsuitability, I had the less hesitation in deciding against the twoworks just named. In the selections from Foreign HistoricalFiction nothing more has been attempted than to include the leadingexamples; most of these, it will be found, have been translatedinto English. Before leaving the subject of older writers, it may be mentionedthat not a few of the works chosen to represent them are, at themoment, out of print. To anyone objecting that something ought tohave been done to indicate this in each separate case, I would urgethat the "out of print" line can never be drawn with precision inview of constant reprints as well as of further extinctions. Perhaps this introduction may be most fitly concluded by somethingin the nature of apology for Historical Romance itself. Not onlyhas fault been found with the deficiencies of unskilled authors inthat department, but the question has been asked by one or twocritics of standing—What right has the Historical Novel to existat all? More often than not, it is pointed out, the Romancistgives us a mass of inaccuracies, which, while they mislead theignorant (i.e., the majority?), are an unpardonable offence to thehistorically-minded reader. Moreover, the writer of such Fiction,though he be a Thackeray or a Scott, cannot surmount barriers whichare not merely hard to scale, but absolutely impassable. Thespirit of a period is like the selfhood of a human being—somethingthat cannot be handed on; try as we may, it is impossible for us tobreathe the atmosphere of a bygone time, since all those thousand-and-one details which went to the building up of both individualand general experience, can never be reproduced. We consider (say)the Eighteenth Century from the purely Historical standpoint, and,while we do so, are under no delusion as to our limitations; weknow that a few of the leading personages and events have beenbrought before us in a more or less disjointed fashion, and areperfectly aware that there is room for much discrepancy between thepictures so presented to us (be it with immense skill) and theactual facts as they took place in such and such a year. But, goeson the objector, in the case of a Historical Romance we allowourselves to be hoodwinked, for, under the influence of a pseudo-historic security, we seem to watch the real sequence of events inso far as these affect the characters in whom we are interested.How we seem to live in those early years of the Eighteenth Century,as we follow Henry Esmond from point to point, and yet, in truth,we are breathing not the atmosphere of Addison and Steele, but theatmosphere created by the brilliant Nineteenth Century Novelist,partly out of his erudite conception of a former period, and partlyout of the emotions and thoughts engendered by that veryenvironment which was his own, and from which he could not escape! Well, to all such criticisms it seems to me there are amplerejoinders. In the first place it must be remembered that Historyitself possesses interest for us more as the unfolding of certainmoral and mental developments than as the mere enumeration offacts. Of course, I am aware that the ideal of the Historian isTruth utterly regardless of prejudice and inclination, but, as withall other human ideals, this one is never fully realised, and thereis ever that discrepancy between Fact and its Narration to which Ijust now alluded. This being so, I would ask—Is not the writer ofFiction justified in emphasising those elements of History whichhave a bearing on life and character in general? There is,doubtless, a wise and an unwise method of procedure. One novelist,in the very effort to be accurate, produces a work which—beingneither History nor Fiction—is simply dull; while another, who hasgauged the true relation between fact and imagination, knows betterthan to bring into prominence that which should remain only as abackground. After all, there are certain root motives andprinciples which, though they vary indefinitely in theirapplication, underlie Human Conduct, and are common to all agesalike. Given a fairly accurate knowledge as regards the generalhistory of any period, combined with some investigation into itsspecial manners and customs, there is no reason why a trulyimaginative novelist should not produce a work at once satisfyingto romantic and historical instincts. Again, if it be true that the novelist cannot reproduce the farpast in any strict sense, it is also true that neither can he soreproduce the life and events of yesterday. That power ofimaginative memory, which all exercise in daily experience, may beheld in very different degrees, but its enjoyment is not dependenton accuracy of representation—for, were this so, none of us wouldpossess it. In an analogous manner the writer of Romance may bemore or less adequately equipped on the side of History pure andsimple, but he need not wait for that which will never come—thepower of reproducing in toto a past age. If, in reading whatpurports to be no more than a Novel, the struggle betweenChristianity and Paganism (for example), or the unbounded egotismof Napoleon, be brought more vividly before our minds—and this maybe done by suggestion as well as by exact relation, then, I wouldmaintain, we are to some extent educated historically, using theword in a large though perfectly legitimate sense. I recently read a work which here presents itself as admirablyillustrating my meaning. In her too little known "Adventures of aGoldsmith" Miss M. H. Bourchier has contrived to bring forciblybefore us the period when Napoleon, fast approaching the zenith ofhis power, was known in France as the "First Consul." The "man ofdestiny" himself—appearing on the scene for little more than abrief moment—can in no sense be described as one of the book'scharacters, and yet the whole plot is so skilfully contrived as tohinge on his personality. We are made to feel the dominatinginfluence of that powerful will upon the fears and hopes of a timebrimming over with revolutionary movement. Whether the Chouanrevolt is in this particular story accurately depicted for us inall its phases, or whether the motives which impelled certainpublic characters are therein interpreted aright—both in regard tothese and other points there may be room for doubt, but at leastthe general forces of the period are placed before us in such a wayas to drive home the conviction that, be the historicalinaccuracies of detail what they may in the eyes of this or thatspecialist, the picture as a whole is one which, while it rivetsour attention as lovers of romance, does no injury to the strictestHistoric sense. I know well that numerous novels might be cited which, besidesabounding in anachronisms, are harmful in that they present us witha misleading conception of some personality or period; moreover, Iacknowledge that this defect is by no means confined to romances ofan inferior literary order. That Cromwell has been unreasonablyvilified, and Mary Queen of Scots misconceived as a saintly martyr—how often are these charges brought against not a few of ourleading exponents of Historical Fiction. Let this be fullygranted, it remains to ask—To whom were our novelists originallyindebted for these misconceptions? Were not the historians of anearlier generation responsible for these wrong judgments? True,the real Science of History—the sifting of evidence, and thediscovery and unravelling of ancient documents—may be described asan essentially modern attainment, so it would be unreasonable toblame our older historians for errors which it was largely, if notwholly, beyond their power to overcome. And it is just here that Iwould emphasise my defence of the Romancist. If Historiansthemselves have differed (and still differ)! may it not be pleadedon behalf of the Historical Novelist that he also must be judgedaccording to the possibilities of his time? For, while he may havetoo readily adopted false conceptions in the past, there is nonecessity why, in the future, he also—profiting by the growth ofCritical investigation—should not have due regard, in the workingout of his Historical background, for all the latest "results."And, I would further add, even though it be true that Scott andothers have misled us in certain directions, this does not preventour acknowledgment that, given their aspect of a particular period,it was only fitting that the scheme of their novels should be inharmony with it. If "Bloody Mary" was a cruel hypocrite, then ourreading of her period will be influenced by that real (or supposed)fact; but, if further investigation reverses this severe judgmenton the woman herself, then, in Heaven's name, let us mould ourgeneral conception afresh. The fountains of Romance show no signof running dry, and, though we may look in vain at the moment for agenius of the very highest type, the Future has possibilitieswithin it which the greatest literary pessimist among us cannotwholly deny. If, then, fault can be found with the olderRomancists for the spreading here and there of false historicalnotions, let us look to future workers in the same sphere foradjustment. I believe, however, that one notable critic haspronounced the mischief already done to be quite irreparable,seeing that the only "History" at all widely spread is that derivedfrom those very romances in which errors are so interwoven with thesentimental interest of the plot itself that readers inevitably"hug their delusions!" But I think that this danger need not becontemplated seriously. The Historical Novel exists primarily asFiction, and, even though in our waking moments we may be persuadedof the unreality of that "dream" which a Scott or a Dumas hasproduced for us, we shall still be able to place ourselves againand again under the spell of their delightful influence. Moreover,while admitting Dumas' carelessness of exact detail, it wouldhardly be contended by the most sceptical that his works (stillless those of Scott) are without any background of Historicsuggestiveness. Scott, indeed, shows signs of having possessedsomething of that "detachment" which is one important qualificationin the Historian proper; there is a fairness and prevision in hishistorical judgments which we look for in vain when reading theworks of his contemporaries. And, having thus touched on what I believe to be the true relationbetween Romance and History, I may note, as a last word, the use ofthe Historical Tale to those who have the training of young folk.That "desire to know," which is an essential for all true learning,is sometimes best fostered by methods outside the ordinary Schoolroutine. Thus, as regards History, where the text-book fails inarousing interest, the tale may succeed, and, once the spirit ofinquiry has been stimulated, half the battle is gained. In sayingthis I am far from wishing to imply that the reading of romancescan ever take the place of genuine historical study. I know wellthat such a book as Green's "Short History of the English People"may prove to some more fascinating than any novel. There are,however, cases in which recourse may be had to a high-class work offiction for the attainment of a truer historic sense; while, takenonly as supplement to more strictly Academic reading, such a workmay prove to have its uses. Considerable discrimination isrequired—as I have already hinted—in the choice of suitablebooks, and, as a help in this direction, I have made out (vide"Suggested courses of Reading" at the end of this volume) twospecial lists for Boys and Girls respectively, which will, I trust,be found useful. If, besides being of help to teachers, myrecommendations should lead in any degree to further appreciationof the great masters of Romance, the labour (by no meansinconsiderable) expended on this little compilation will be amplyrewarded. J. N.January, 1902. NOTE—the order in which the books are placed is, on the whole,according to the periods dealt with; occasionally the groupingdecided on has prevented absolute correctness in this respect. PRE-CHRISTIAN ERA.SARCHEDON — G. J. Whyte Melville Ancient Babylon and the Assyrians W. Thacker & Co., and Ward, Lock, & Co.
UARDA — Georg Ebers (trans.) Egypt—Rameses Sesostris Sampson Low & Co.
ZOROASTER — F. Marion Crawford Zoroaster, the Persian Religious Reformer Macmillan & Co.
AN EGYPTIAN PRINCESS — Georg Ebers (trans.) Egypt—Amasis and Cambyses, 6th Century B. C. Sampson Low & Co.
THE FALL OF ATHENS — A. J. Church Peloponnesian War Seeley & Co.
A YOUNG MACEDONIAN — A. J. Church Alexander the Great Seeley & Co.
SALAMMBO — Gustave Flaubert (trans.) Rome versus Carthage G. P. Putnam's Sons, and Grant Richards
THE LION'S BROOD — Duffield Osborne Rome versus Carthage W. Heinemann
LORDS OF THE WORLD — A. J. Church Rome versus Carthage. Blackie & Son
THE SISTERS — Georg Ehers (trans.) Egypt—Ptolemy Philometer, and Euergetes Sampson Low & Co.
THE HAMMER — A. J. Church and R. Seeley Maccabaean Times Seeley & Co.
DEBORAH — J. M. Ludlow Maccabaean Times J. Nisbet & Co.
HELON'S PILGRIMAGE TO JERUSALEM — F. Strauss (trans.) Judaism in the Century preceding Christ J. Mawman, London, 1824
PRUSIAS — Ernst Eckstein (trans.) The Slave Revolt under Spartacus. Trubner & Co.
TWO THOUSAND YEARS AGO — A. J. Church Rome—Spartacus and Mithridates Blackie & Son
WOE TO THE CONQUERED — Alfred Clark Roman Life, B. C. 73-71 Sampson Low & Co.
A FRIEND OF CAESAR — W. S. Davis Pompey and Caesar Macmillan & Co.
CLEOPATRA — Georg Ebers (trans.) Latter Years of Cleopatra. Sampson Low & Co.
FIRST CENTURY A.D.NEAERA — John W. Graham Rome under Tiberius (A. D. 26) Macmillan & Co.
PHILOCHRISTUS — Anonymous Memoirs of a Disciple of Christ Macmillan & Co.
BEN HUR — Lew Wallace Rome in the time of Christ Harper & Brothers, and others
TARRY THOU TILL I COME (Salathiel) — G. Croly Judaism and Christianity (the early struggle) Funk & Wagnalls Co.
AS OTHERS SAW HIM — Anonymous Early Christianity (A. D. 54) W. Heinemann
BERIC THE BRITON — G. A. Henty Roman Invasion of Britain Blackie & Son
ONESIMUS— Anonymous Memoirs of a Disciple of Paul Macmillan & Co.
QUO VADIS? — H. Sienkiewicz (trans.) Rome in the time of Nero J. M. Dent & Co.
NERO — Ernst Eckstein (trans.) Rome in the time of Nero Trubner & Co.
THE BURNING OF ROME — A. J. Church Rome in the time of Nero Seeley & Co.
ACTE — Hugh Westbury Rome in the time of Nero Bentley
DARKNESS AND DAWN — Dean Farrar Persecutions under Nero Longmans, Green, & Co.
THE LAST DAYS OF POMPEII — Lytton Time of Vespasian Geo. Routledge & Sons
THE GLADIATORS — G. J. Whyte Melville Fall of Jerusalem W. Thacker & Co. and Ward, Lock, & Co.
DOMITIA — S. Baring-Gould Time of Domitian Methuen & Co.
MASTERS OF THE WORLD — Mary A. M. Hoppus Time of Domitian Bentley, 1888
QUINTUS CLAUDIUS — Ernst Eckstein (trans.) Time of Domitian W. S. Gottsberger
SECOND CENTURY.VALERIUS — J. G. Lockhart Time of Trajan (Rome) W. Blackwood & Sons
TO THE LIONS — A. J. Church Christians and the Younger Pliny Seeley & Co.
ANTINOUS — George Taylor (trans.) Time of Hadrian William S. Gottsberger, New York, 1882
MARIUS THE EPICUREAN — W. Pater Time of Marcus Aurelius Macmillan & Co.
THIRD CENTURY.PER ASPERA — Georg Ebers (trans.) Alexandria in time of Emperor Caracalla Sampson Low & Co.
PERPETUA — S. Baring-Gould Nimes—beginning of Third Century Isbister & Co.
THE CAMP ON THE SEVERN — A. D. Crake Persecution in Britain Mowbray & Co.
THE VILLA OF CLAUDIUS — E. L. Cutts Roman occupation of Britain Society for Promoting Christian Knowledge
CALLISTA — J. H. Newman North Africa persecutions Longmans, Green, & Co.
*THE EPICUREAN — Thomas Moore Worship of Isis (Egypt) Downey & Co.
* This tale, it must be admitted, is given a place mainly onaccount of its literary interest; as a historical romance it hasbeen very severely criticised. AURELIAN — W. Ware Rome—late Third Century Warne & Co.
THE LAST DAYS AND FALL OF PALMYRA (ZENOBIA) — W. Ware Zenobia and Longinus Cassell & Co. ("Red Library," 1890)
FOURTH CENTURY.HOMO SUM — Georg Ebers (trans.) Christians in Arabia Sampson Low & Co.
*OUR FOREFATHERS (Die Ahnen) — Gustav Freytag (trans.) Germany A. D. 357 Asher & Co., 1873
* The collective title of a series in which the history of a familyis made to illustrate successive stages of German Civilisation.The English translation does not extend beyond the first twostories, dealing with the years 357 and 724 respectively; theremaining four stories (published by Hirzel of Leipsic, 1874-80)depict German life in 1226, 1519, 1647, and 1805. THE LAST ATHENIAN — V. Rydberg (trans.) Athens A. D. 361 T. B. Peterson & Brothers, Philadelphia
*THE DEATH OF THE GODS — D. Merejkowski (trans.) The Emperor Julian Constable & Co.
* No. 1 of the trilogy "Christ and Anti-Christ." JETTA — George Taylor (trans.) Heidelberg under the Romans Trubner & Co., 1886
SERAPIS — Georg Ebers (trans.) Alexandria A. D. 391 Trubner & Co., 1885
A DUKE OF BRITAIN — Sir Herbert Maxwell Picts and Romans W. Blackwood & Sons
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FABIOLA — Cardinal Wiseman Rome early Fifth Century Burns, 1855
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FELICITAS — Felix Dahn (trans.) The German Migrations, A. D. 476 Macmillan & Co.
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A STRUGGLE FOR ROME — Felix Dahn (trans.) The Ostrogoths and Belisarius R. Bentley, 1878
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THE BRIDE OF THE NILE — Georg Ebers (trans.) Egypt, A. D. 643 Trubner & Co.
*EIGHTH CENTURY.* The second tale in Freytag's "Our Forefathers" (vide Fourth Century section) illustrates the Germany of A. D. 724.
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*THE KING'S SONS — G. Manville Fenn Alfred and his times E. Nister
* A very slight but charming story of Alfred's boyhood, speciallysuited for the very young. IN AELFRED'S DAYS and UNDER THE BLACK RAVEN — Paul Creswick Alfred and his times E. Nister
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*THE COUNTESS ALYS (in "New Canterbury Tales") — Maurice Hewlett Period of Edward III. Constable & Co.
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* Ainsworth's two novels, "Guy Fawkes" and "The Star Chamber," alsodeal with James I., but they are distinctly inferior in literaryworkmanship. THE BLACK TOR — G. Manville Fenn Time of James I. W. & R. Chambers
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*STANDISH OF STANDISH — J. G. Austin America—Period of the Pilgrim Fathers Ward, Lock, & Co.
* This is the first of a series of tales dealing with EarlyAmerican history by the same author, viz.:—"Betty Alden" (sequelto above); "A Nameless Nobleman" (half-century later than "Standishof Standish"), with its sequel, "Dr. Le Baron and his Daughters"(all published by Houghton, Mifflin, & Co.) SOLDIER RIGDALE — B. M. Dix America—Period of the Pilgrim Fathers Macmillan & Co.
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CROMWELL'S OWN — A. Paterson Civil War Period Harper & Brothers
ST. GEORGE AND ST. MICHAEL — George Macdonald Civil War Period H. S. King, 1876
HUGH GWYETH — B. M. Dix Civil War Period Macmillan & Co.
MIRIAM CROMWELL — Dora McChesney Civil War Period W. Blackwood & Sons
THE CHILDREN OF NEW FOREST — Marryatt Civil War Period J. M. Dent & Co.
*FOR KING AND KENT — Col. Colomb Civil War Period Remington
* This book well represents the extreme Royalist point of view. TO RIGHT THE WRONG — Edna Lyall Hampden Hurst & Blackett
IN SPITE OF ALL — Edna Lyall Falkland, Laud, &c. Hurst & Blackett
JOHN INGLESANT — J. H. Shorthouse England (Charles I.) and Italy (the Molinists). Macmillan & Co.
UNDER SALISBURY SPIRE — Emma Marshall George Herbert Seeley & Co.
A HAUNT OF ANCIENT PEACE — Emma Marshall Nicholas Ferrar Seeley & Co.
THE MAIDEN AND MARRIED LIFE OF MARY POWELL — Miss Manning John Milton (1643) J C. Nimmo
OLD BLACKFRIARS — Beatrice Marshall Van Dyck Seeley & Co.
THE THREE MUSKETEERS — Dumas (translation) France—Richelieu, &c. J. M. Dent & Co.
UNDER THE RED ROBE — Stanley Weyman France—Richelieu, &c. Methuen & Co.
THE MAN IN BLACK — Stanley Weyman France—Richelieu, &c. Cassell & Co.
CINQ MARS — A. de Vigny (trans.) France—Richelieu, &c. Geo. Routledge & Sons, 1877
RICHELIEU — G. P. R. James France—Richelieu, &c. G. P. Putnam's Sons
CAPTAIN FRACASSE — Theophile Gautier (translation) Strolling Players, in time of Louis XIII. Duckworth & Co. and J. Macqueen
A DAUGHTER OF FRANCE — Eliza Pollard France and Acadia T. Nelson & Sons
*THE BETROTHED LOVERS — Manzoni (translation) Italy—the Plague in Milan, 1630 Ward, Lock, & Co. ("Minerva Library," 1889)
* Also published by George Bell & Sons (Bohn's Series) under thetitle "The Betrothed." I adopt the fuller title to preventconfusion with Scott's romance. RUPERT BY THE GRACE OF GOD — Dora McChesney Prince Rupert's time Macmillan & Co.
STRAY PEARLS — Charlotte M. Yonge Prince Rupert's time Macmillan & Co.
THE LION OF THE NORTH — G. A. Henty Gustavus Adolphus Blackie & Son
A BRAVE RESOLVE — J. B. de Liefde Wallenstein Hodder & Stoughton
BARON AND SQUIRE — Noeldechen (translated by Mrs. Pereira) Thirty Years War J. Nisbet & Co.
WON BY THE SWORD — G. A. Henty Thirty Years War Blackie & Son
MY LADY ROTHA — Stanley Weyman Thirty Years War A. D. Innes & Co.
RED AXE — S. R. Crockett Thirty Years War Smith, Elder, & Co.
*THE KING'S RING — Zacharias Topelius (translation) Thirty Years War Jarrold & Sons
* The first of a series covering the 17th and 18th Centuries.Under the general title of "The Surgeon's Stories," the remainingvolumes were published by Messrs. Jansen & Co., of Chicago (1883-4); one of these appears in my list later on. DER DEUTSCHE KRIEG (Collective Title of Series) — Heinrich Laube Thirty Years War H. Haeffel, 1863
PHILLIP ROLLO — James Grant Thirty Years War Geo. Routledge & Sons
TWENTY YEARS AFTER — Dumas (translation) France—Time of Mazarin, &c. (1648-9) J. M. Dent & Co.
THE WAR OF WOMEN — Dumas (translation) France—Time of Mazarin, &c. (1650) J. M. Dent & Co.
MARIE DE MANCINI — Madame Sophie Gay (translation) France—Time of Mazarin, &c. Lawrence & Bullen
THE SILVER CROSS — S. R. Keightley France—Time of Mazarin Hutchinson & Co.
HENRY MASTERTON — G. P. R. James England (Civil War) and France (the Fronde). Warne & Co.
PRETTY MICHAL — M. Jokai (translation) Hungary, middle Seventeenth Century Jarrold & Sons
WITH FIRE AND SWORD — H. Sienkiewicz (translation) Poland and Russia, from middle of the Seventeenth Century J. M. Dent & Co.
THE DELUGE — H. Sienkiewicz (translation) Poland and Russia, from middle of the Seventeenth Century J. M. Dent & Co.
PAN MICHAEL — H. Sienkiewicz (translation) Poland and Russia, from middle of the Seventeenth Century J. M. Dent & Co.
JOHN SPLENDID — Neil Munro Period of Montrose and the Covenant Wm. Blackwood & Sons
THE LEGEND OF MONTROSE — Scott Period of Montrose and the Covenant A. & C. Black
JOURNAL OF THE LADY BEATRIX GRAHAM — Mrs. Fowler Smith Period of Montrose and the Covenant Geo. Bell & Sons
THE ANGEL OF THE COVENANT — J. Maclaren Cobban Period of Montrose and the Covenant Methuen & Co.
KATHLEEN CLARE — Dora McChesney Ireland, 1637-41 W. Blackwood & Sons
JOHN MARMADUKE — S. H. Church Ireland—Cromwellian wars G. P. Putnam's Sons
IN THE KING'S SERVICE — F. S. Brereton Ireland—Cromwellian wars Blackie & Son
ETHNE — Mrs. Field Ireland—Cromwellian wars Wells, Gardner, & Co.
HARRY OGILVIE — James Grant Scotland. Cromwellian wars Geo. Routledge & Sons
THE WHITE KING'S DAUGHTER — Emma Marshall The Princess Elizabeth Seeley & Co.
IN COLSTON'S DAYS — Emma Marshall Bristol, 1636-1720 Seeley & Co.
WOODSTOCK — Scott Commonwealth period A. & C. Black
CAPTAIN JACOBUS — L. Cope Cornford Commonwealth period Methuen & Co.
AFTER WORCESTER — E. Everett Green Commonwealth period T. Nelson & Sons
ON BOTH SIDES OF THE SEA — Mrs. Charles Commonwealth period T. Nelson & Sons
THE MAKING OF CHRISTOPHER FERRINGHAM — B. M. Dix Commonwealth period (New England) Macmillan & Co.
*DEBORAH'S DIARY — Miss Manning Milton's Daughter (1665) J. C. Nimmo
* Sequel to "The Maiden and Married Life of Mary Powell." ADAM HEPBURN'S VOW — Annie S. Swan Scotland—Kirk and Covenant Cassell & Co.
FRIEND OLIVIA — Amelia E. Barr George Fox, the Quaker James Clarke & Co.
THE SHADOW OF A CRIME — Hall Caine Quakers at the Restoration Chatto & Windus
A GALLANT QUAKER — Mrs. M. H. Roberton George Fox and William Penn Methuen & Co.
THE ROMANCE OF DOLLARD — Mrs. Catherwood French in Canada Fisher Unwin
TARA — Meadows Taylor India, 1657 Kegan, Paul, & Co.
BRAMBLETYE HOUSE — Horace Smith Commonwealth—Charles II. Henry Colburn, 1826
GOD SAVE THE KING — Ronald Macdonald Commonwealth—Charles II. John Murray
PEVERIL OF THE PEAK — Scott Time of Charles II. A. & C. Black
LONDON PRIDE — Miss Braddon Time of Charles II. Simpkin & Co.
DANIEL HERRICK — S. H. Burchell Time of Charles II. Gay & Bird
I LIVED AS I LISTED — Arthur L. Maitland Time of Charles II. Wells, Gardner, & Co.
THE PURITAN'S WIFE — Max Pemberton Time of Charles II. Cassell & Co.
WHITEFRIARS — Anonymous Time of Charles II. Geo. Routledge & Sons
THE ROBBER — G. P. R. James Time of Charles II. Warne & Co.
SILAS VERNEY — E. Pickering Time of Charles II. Blackie & Son
CHERRY AND VIOLET — Miss Manning Time of Charles II. J. C. Nimmo
HISTORY OF THE PLAGUE — Defoe Time of Charles II. (Plague) J. M. Dent & Co.
OLD ST. PAULS — Harrison Ainsworth Time of Charles II. (Plague) Geo. Routledge & Sons
THE DAGGER AND THE CROSS — J. Hatton Time of Charles II. (Eyam) Hutchinson & Co.
TRAITOR OR PATRIOT? — Mary C. Rowsell Time of Charles II. (Rye House Plot) Blackie & Son
SIMON DALE — Anthony Hope Time of Charles II. Methuen & Co.
NELL GWYNN, COMEDIAN — Frankfort Moore Time of Charles II. C. A. Pearson
IN THE GOLDEN DAYS — Edna Lyall Time of Charles II. (Algernon Sidney) Hurst & Blackett
SIR RALPH ESHER — Leigh Hunt Time of Charles II. Henry Colburn, 1832
MARY HOLLIS — H. J. Schimmel (translation) Time of Charles II. John Camden Hotten
OLD MORTALITY — Scott Bothwell Bridge, 1679 A. & C. Black
THE MEN OF THE MOSS HAGS — S. R. Crockett Bothwell Bridge, 1679 Isbister & Co.
JOHN BURNET OF BARNS — J. Buchan Scotland and the Low Countries (1678-88) John Lane
WINCHESTER MEADS — Emma Marshall Bishop Ken Seeley & Co.
IN THE EAST COUNTRY WITH SIR THOMAS BROWNE — Emma Marshall Author of "Religio Medici." Seeley & Co.
IN WESTMINSTER CHOIR — Emma Marshall Purcell the Composer Seeley & Co.
THE CARVED CARTOON — Austin Clare Grinling Gibbons Society for Promoting Christian Knowledge
SPINOZA — Auerbach (trans.) A romance of Spinoza the Philosopher. Sampson Low & Co.
'MIDST THE WILD CARPATHIANS — M. Jokai (trans.) Transylvania, 1666 Jarrold & Sons
THE BLACK TULIP — Dumas (trans.) William of Orange, 1672 J. M. Dent & Co.
THE VICOMTE DE BRAGELONNE — Dumas (trans.) France—Louis XIV. J. M. Dent & Co.
BELLE ROSE — Amedee Achard France—Louis XIV. A. Bourdilliat et Cie., Paris, 1859
IN THE DAY OF ADVERSITY — J. Bloundelle Burton France—Louis XIV. Methuen & Co.
*THE SCOURGE OF GOD — J. Bloundelle Burton France—Louis XIV. (Huguenots) James Clarke & Co.
* Intentionally placed with the Louis XIV. romances. It should,however, be noted that the events of the story are supposed tohappen in the first years of the Eighteenth Century (the CevennesRevolt). THE REFUGEES — Conan Doyle Louis XIV.—Old and New World Longmans, Green, & Co.
THE BLACK WOLF'S BREED — H. Dickson Louis XIV.—Old and New World Methuen & Co.
CAPTAIN SATAN — Louis Gallet (trans.) Adventure in early Louis XIV. period Jarrold & Sons
THE KING'S SIGNET — Eliza Pollard Madame de Maintenon, &c. Blackie & Son
THE MARCHIONESS OF BRINVILLIERS — Albert Smith Marquise de Brinvilliers, the poisoner Bentley (new edition, 1886)
THE GOLDEN FLEECE — Amedee Achard(trans.) Turkish Wars (Louis XIV.) J. Macqueen
HIS COUNTERPART — Russell M. Garnier Wars of Turenne (John Churchill) Harper & Brothers
THE CLASH OF ARMS — J. Bloundelle Burton Wars of Turenne (John Churchill) Methuen & Co.
UNCROWNING A KING — E. S. Ellis America—King Philip's war Cassell & Co.
THE OLD DOMINION (PRISONERS OF HOPE) — Mary Johnston Virginia, late Seventeenth Century Constable & Co.
VIVIAN OF VIRGINIA — Hulbert Fuller Virginia, late Seventeenth Century Jarrold & Sons
THE HEART'S HIGHWAY — Mary E. Wilkins Virginia, late Seventeenth Century John Murray
A REPUTED CHANGELING — Charlotte M. Yonge Period of Charles II.—William III. Macmillan & Co.
THE REBEL — H. B. Marriott Watson Rising at Taunton, 1684. W. Heinemann
LORNA DOONE — R. D. Blackmore James II.—Monmouth Rebellion Sampson Low & Co.
FOR FAITH AND FREEDOM — Walter Besant James II.—Monmouth Rebellion Chatto & Windus
MICAH CLARKE — Conan Doyle James II.—Monmouth Rebellion Longmans, Green, & Co.
IN TAUNTON TOWN — E. Everett Green James II.—Monmouth Rebellion T. Nelson & Sons
THE BLUE FLAG — Max Hillary James II.—Monmouth Rebellion Ward, Lock, & Co.
URITH — S. Baring-Gould James II.—Monmouth Rebellion Methuen & Co.
DEB CLAVEL — M. E. Palgrave James II.—Monmouth Rebellion Religious Tract Society
DUKE OF MONMOUTH — Gerald Griffin James II.—Monmouth Rebellion R. Bentley, 1836
IN THE SERVICE OF RACHEL LADY RUSSELL — Emma Marshall Period of James II. Seeley & Co.
THE STANDARD BEARER — S. R. Crockett Period of James II. (Covenanters) Methuen & Co.
THE COURTSHIP OF MORICE BUCKLER — A. E. W. Mason Period of James II. (1685-7) Macmillan & Co.
THE SWORD OF THE KING — Ronald Macdonald William of Orange John Murray
THE OUTLAW — Mrs. Hall Revolution period (1688) R. Bentley, 1847
THE LIFEGUARDSMAN — H. J. Schimmel (translation) Revolution period (1688) A. & C. Black
THE SCOTTISH CAVALIER — James Grant Battle of Killiecrankie Geo. Routledge & Sons
RINGAN GILHAIZE — J. Galt Battle of Killiecrankie Greening & Co.
LOCHINVAR — S. R. Crockett Battle of Killiecrankie Methuen & Co.
MISTRESS DOROTHY MARVIN — J. C. Snaith Period of Judge Jeffreys, &c. Ward, Lock, & Co.
BLUE PAVILIONS — "Q" William III. Cassell & Co.
KENSINGTON PALACE — Emma Marshall William III. Seeley & Co.
MY MISTRESS THE QUEEN — M. A. Paull Marriage of Mary to William (Charles II.—William III.) Blackie & Son
BY THE NORTH SEA — Emma Marshall Cromwell's Grand-daughter Jarrold & Sons
A MAN'S FOES — E. H. Strain Siege of Derry (1689) Ward, Lock, & Co.
THE CRIMSON SIGN — S. R. Keightley Siege of Derry (1689) Hutchinson & Co.
IN THE WAKE OF KING JAMES — Standish O'Grady Siege of Derry (1689) J. M. Dent & Co.
THE BOYNE WATER — J. Banim Battle of the Boyne (1690) James Duffy, Dublin
THE MAC MAHON — Owen Blayney Battle of the Boyne (1690) Constable & Co.
REDMOND COUNT O'HANLON — W. Carleton Battle of Aughrim James Duffy, Dublin
THE BRIDE OF LAMMERMOOR — Scott East Lothian, 1695 A. & C. Black
ON THE RED STAIRCASE — M. Imlay Taylor Russia in the youthful days of Peter the Great Gay and Bird
THE LION CUB — F. Whishaw Russia in the youthful days of Peter the Great Griffith, Farran, & Co.
THE ROAD TO FRONTENAC — S. Merwin French occupation of Canada John Murray
THE TRAIL OF THE SWORD — Gilbert Parker French occupation of Canada Methuen & Co.
THE YOUNG PIONEERS — E. Everett Green La Salle, the French Explorer T. Nelson & Sons
THE BEGUM'S DAUGHTER — E. L. Bynner New York (Jacob Leisler) Houghton, Muffin. & Co.
IN FURTHEST IND — Sydney C. Grier East India Company, 1697 W. Blackwood & Sons
DARIEN — Eliot Warburton William Paterson and the Darien Scheme (1698) Colburn, 1852
MAZEPPA — F. Whishaw Mazeppa and the Cossacks (17th-18th Century) Chatto & Windus
MONSIEUR MARTIN — W. Carey Sweden from 1699 (Charles XII.) W. Blackwood & Sons
A LADY OF QUALITY — F. Hodgson Burnett Social Life, end of Seventeenth Century Warne & Co.
HIS GRACE OF OSMONDE — F. Hodgson Burnett Social Life, end of Seventeenth Century Warne & Co.
A SET OF ROGUES — Frank Barrett Algerine Pirates, &c. A. D. Innes & Co.
EIGHTEENTH CENTURY.THE PIRATE — Scott Shetland and Orkney Islands, 1700 A. & C. Black
ESMOND — Thackeray Time of Anne Smith, Elder, & Co.
DEVEREUX — Lytton Time of Anne (England and Abroad) Geo. Routledge & Sons
ST. JAMES'S — Harrison Ainsworth Time of Anne Geo. Routledge & Sons
THE OLD CHELSEA BUN HOUSE — Miss Manning Time of Anne J. C. Nimmo
ACROSS THE SALT SEAS — J. Bloundelle Burton Time of Anne (Battle of Blenheim) Methuen & Co.
THE QUEEN'S SERF — Elsa d'Esterre Keeling Time of Anne Fisher Unwin
MOHAWKS — Miss Braddon Time of Anne J. & R. Maxwell Ditto.
IN KING'S HOUSES — Julia C. R. Dorr Time of Anne Duckworth & Co.
THE BRAVEST OF THE BRAVE — G. A. Henty Time of Anne (Peterborough) Blackie & Son
THE CORNET OF HORSE — G. A. Henty Time of Anne (Duke of Marlborough) Sampson Low & Co.
IN THE IRISH BRIGADE — G. A. Henty Time of Anne (Foreign Wars). Blackie & Son
TOM TUFTON'S TRAVELS and TOM TUFTON'S TOLL — E. Everett Green Time of Anne T. Nelson & Sons
ESTHER VANHOMRIGH — Margaret L. Woods Dean Swift John Murray
THE BLACK DWARF — Scott The Lowlands of Scotland, 1706 (Jacobites) A. & C. Black
AN IMPERIAL LOVER — M. Imlay Taylor Russia—Peter the Great Gay & Bird
BORIS THE BEAR-HUNTER and A LOST ARMY — F. Whishaw Russia (from late Seventeenth Century) T. Nelson & Sons
CAPTAIN SINGLETON — Defoe Time of George I. J. M. Dent & Co.
FOR THE KING — C. Gibbon Time of George I. Chatto & Windus
THE HERITAGE OF LANGDALE — Mrs. Alexander Time of George I. Hutchinson & Co.
PARSON KELLY — A. E. W. Mason and A. Lang Time of George I. Longmans, Green, & Co.
DUANCE PENDRAY — G. Norway Time of George I. (Cornish Jacobites) Jarrold & Sons
MONSIEUR BEAUCAIRE — Booth Tarkington Bath—early Eighteenth Century John Murray
THE RAIDERS and THE DARK O' THE MOON — S. R. Crockett Galloway—early Eighteenth Century Fisher Unwin and Macmillan & Co.
ROB ROY — Scott The Jacobites A. & C. Black
DOROTHY FORSTER — Walter Besant The Jacobites Chatto & Windus
A DAUGHTER OF STRIFE — J. H. Findlater The Jacobites Methuen & Co.
A LOYAL LITTLE MAID — S. Tytler The Jacobites Blackie & Son
TO ARMS! — A. Balfour The Jacobites Methuen & Co.
*CLEMENTINA — A. E. W. Mason The Old Pretender and Princess Clementina Sobieski Methuen & Co.
* Decidedly superior to the same Author's "Lawrence Clavering"(also Jacobite period). A JACOBITE EXILE — G. A. Henty Charles XII. of Sweden Blackie & Son
TIMES OF CHARLES XII. — Z. Topelius (trans.) Charles XII. of Sweden Jansen & Co., Chicago
LE CHEVALIER D'HARMENTHAL — Dumas (translation) France—the Regency (1718) J. M. Dent & Co.
THE REGENT'S DAUGHTER — Dumas (translation) France—the Regency (1719) J. M. Dent & Co.
THE YEMASSEE — W. G. Simms South Carolina, 1715 W. J. Widdleton, New York, 1866 (Revised Ed.)
FREE TO SERVE — E. Rayner Colonial New York G. P. Putnam's Sons
AUDREY — Mary Johnston Virginia, in George I-II. Period Constable & Co.
HALIL THE PEDLAR — M. Jokai (trans.) Stambul, 1730 Jarrold & Sons
THE MISER'S DAUGHTER — Harrison Ainsworth Time of George II. Geo. Routledge & Sons
THE WORLD WENT VERY WELL THEN — Walter Besant Time of George II. Chatto & Windus
HEART OF MIDLOTHIAN — Scott Time of George II. (Porteous Riots) A. & C. Black
WILLOWDENE WILL — Halliwell Sutcliffe Time of George II. C. A. Pearson
THE GIPSY — G. P. R. James Time of George II. Warne & Co.
NED LEGER — G. Manville Fenn Time of George II. Society for Promoting Christian Knowledge
RODERICK RANDOM — Smollett Time of George II. Constable & Co.
TREASURE TROVE — S. Lover Time of George II. (Fontenoy) Constable & Co.
WHERE HONOUR LEADS — Marian Francis Time of George II. (Fontenoy) Hutchinson & Co.
THE HOUSE DIVIDED — H. B. Marriott Watson Time of George II. Harper & Brothers
LADY GRIZEL — Lewis Wingfield Time of George II. Bentley, 1877
FOR THE WHITE ROSE OF ARNO — Owen Rhoscomyl Wales, in 1745 Longmans, Green, & Co.
WAVERLEY — Scott The Jacobites A. & C. Black
MISTRESS NANCY MOLESWORTH — Joseph Hocking The Jacobites J. Bowden
THE FORTUNES OF CLAUDE — Edgar Pickering The Jacobites Warne & Co.
A LOST LADY OF OLD YEARS — J. Buchan The Jacobites John Lane
DENOUNCED — J. Bloundelle Burton The Jacobites Methuen & Co.
RICROFT OF WITHENS — Halliwell Sutcliffe The Jacobites Fisher Unwin
THE MASTER OF BALLANTRAE — R. L. Stevenson The Jacobites Cassell & Co.
AN EXILED SCOT — H. A. Bryden The Jacobites (The Cape) Chatto & Windus
SIR SERGEANT — W. L. Watson The Jacobites W. Blackwood & Sons
KIDNAPPED — R. L. Stevenson Scotland, 1751 Cassell & Co.
CATRIONA — R. L. Stevenson Scotland, 1751 Cassell & Co.
THE SHOES OF FORTUNE — Neil Munro Jacobites, 1755 Isbister & Co.
THE BIRTHRIGHT — Joseph Hocking Time of John Wesley (Cornwall) J. Bowden
HUMPHREY CLINKER — Smollett Manners, mid. Eighteenth Century Constable & Co.
THE CHAPLAIN OF THE FLEET — W. Besant and J. Rice Manners, mid. Eighteenth Century Chatto & Windus
MOONFLEET — J. Meade Falkner Smugglers, 1757 E. Arnold
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PEG WOFFINGTON — Charles Reade The Stage, middle of Eighteenth Century Chatto & Windus
THE JESSAMY BRIDE — F. Frankfort Moore Goldsmith, Garrick, &c. Hutchinson & Co.
MEMOIRS OF BARRY LYNDON — Thackeray World of fashion, from middle to end of Eighteenth Century Smith, Elder, & Co.
THE BATH COMEDY — Agnes & Egerton Castle Bath, middle of Eighteenth Century Macmillan & Co.
THE DUTCHMAN'S FIRESIDE — J. K. Paulding New York, middle of Eighteenth Century Scribners
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RALPH DANIELL — Meadows Taylor India, middle Eighteenth Century Kegan, Paul, & Co.
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THE KING'S "BLUE BOYS" — Sheila E. Braine Frederick William I. of Prussia and his Giant Grenadiers Jarrold & Sons
THE CITIZEN OF PRAGUE — C. L. A. Paalzow (translation) Maria Theresa, Empress of Austria H. Colburn, 1846
CONSUELO and THE COUNTESS OF RUDOLSTADT — George Sand (trans.) Time of Frederick the Great Walter Scott
*FREDERICK THE GREAT AND HIS FAMILY — Louise Muhlbach (translation) Time of Frederick the Great D. Appleton & Co.
* One of L. Muhlbach's several romances dealing with this period. GAVIN HAMILTON — M. E. Seawell The Seven Years War Harper & Brothers
WITH FREDERICK THE GREAT — G. A. Henty The Seven Years War Blackie & Son
A FALLEN STAR — C. Lowe The Seven Years War Downey & Co.
AMYOT BROUGH — E. Vincent Briton England and Canada, middle of Eighteenth Century Seeley & Co.
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THE SEATS OF THE MIGHTY — Gilbert Parker The Taking of Quebec Methuen & Co.
THE LAST OF THE MOHICANS — Fennimore Cooper Montcalm, 1757 Macmillan & Co.
THE STORY OF OLD FORT LOUDON — C. E. Craddock North America, 1758. (French War) Macmillan & Co.
FORTUNE'S MY FOE — J. Bloundelle Burton Cartagena, 1758 Methuen & Co.
THE VIRGINIANS — Thackeray America and England, George II.-III. Smith, Elder, & Co.
THE GOLDEN DOG — William Kirby Quebec, in the days of Louis XV. Jarrold & Sons
OLYMPE DE CLEVES — Dumas (translation) France, Louis XV. J. M. Dent & Co.
THE HOUSE OF DE MAILLY — Margaret H. Potter France, Louis XV. Harper & Brothers
THE LITTLE HUGUENOT — Max Pemberton France, Louis XV. Cassell & Co.
THE LAST RECRUIT OF CLARE'S — S. R. Keightley Marquise de Pompadour, &c. (Irish Brigade stories) Hutchinson & Co.
THE FAVOR OF PRINCES — Mark L. Luthur Adventure in time of Louis XV. Macmillan & Co.
MEMOIRS OF A PHYSICIAN — Dumas (translation) Louis XV.-XVI. (1770-74) J. M. Dent & Co.
THE QUEEN'S NECKLACE — Dumas (translation) Court of Louis XVI. (1784-5) J. M. Dent & Co.
THE COUNTESS EVE — J. H. Shorthouse Burgundy, 1785 Macmillan & Co.
IN EXITU ISRAEL — S. Baring-Gould Church and State in France, 1788-9 Macmillan & Co., 1870
THE KING WITH TWO FACES — M. E. Coleridge Gustavus III. of Sweden E. Arnold
MANY WAYS OF LOVE — F. Whishaw Russia, time of Catharine II. J. M. Dent & Co.
A FORBIDDEN NAME — F. Whishaw Russia, time of Catharine II. Chatto & Windus
THE TURKISH AUTOMATON — Sheila E. Braine Russia, time of Catharine II. Blackie & Son
THE PRIDE OF JENNICO — Agnes & Egerton Castle Moravia, 1771 Macmillan & Co.
REDGAUNTLET — Scott Time of George III. A. & C. Black
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KATERFELTO — G. J. Whyte-Melville Time of George III. (Exmoor). W. Thacker & Co. and Ward, Lock, & Co.
THE ORANGE GIRL — Walter Besant Time of George III. Chatto & Windus
*THE ROCK OF THE LION — M. E. Seawell Time of George III. Harper & Brothers
* Deals with the Siege of Gibraltar, 1779-1783. BARNABY RUDGE — Dickens Time of George III. (Gordon Riots) Chapman & Hall
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MISS ANGEL — Miss Thackeray Art (Reynolds & Angelica Kauffmann) Smith, Elder, & Co.
THE FATAL GIFT — F. Frankfort Moore The Sisters Gunning Hutchinson & Co.
A NEST OF LINNETS — F. Frankfort Moore R. B. Sheridan, Johnson, &c. Hutchinson & Co.
THE SURGEON'S DAUGHTER — Scott Fifeshire, Isle of Wight, and India (1780) A. & C. Black
THE CASTLE INN — Stanley Weyman English Manners, late Eighteenth Century Smith, Elder, & Co.
THE TONE KING — Heribert Rau (trans.) Mozart Jarrold & Sons
THE VIRGINIA COMEDIANS — J. E. Cooke Virginia, 1763-5 D. Appleton & Co., 1854
ALICE OF OLD VINCENNES — Maurice Thompson Fort Vincennes (Clark's Conquest) Cassell & Co.
THE GREEN MOUNTAIN BOYS — Daniel P. Thompson American Revolution B. B. Mussey & Co., Boston. Revised edition, 1848
*LIONEL LINCOLN — Fennimore Cooper American Revolution Geo. Routledge & Sons
* "Lionel Lincoln" treats of Boston in the time of Bunker Hill(1775); "The Spy" of Hudson River district 1782); and "The Pilot"of Paul Jones (1779). THE SPY — Fennimore Cooper American Revolution Geo. Routledge & Sons
THE PILOT — Fennimore Cooper American Revolution Geo. Routledge & Sons
RICHARD CARVEL — Winston Churchill American Revolution Macmillan & Co.
HUGH WYNNE — S. Weir Mitchell American Revolution (Washington) Macmillan & Co.
A GREAT TREASON — Mary A. M. Hoppus American Revolution (Benedict Arnold) Macmillan & Co.
A SOLDIER OF VIRGINIA — Burton Eghert Stevenson American Revolution Duckworth & Co.
PHILIP WINWOOD — R. N. Stephens American Revolution Chatto & Windus
LOVE LIKE A GIPSY — Bernard Capes American Revolution Constable & Co.
JANICE MEREDITH — P. L. Ford American Revolution Constable & Co.
THE TORY LOVER — Sarah Orne Jewett American Revolution (Paul Jones) Smith, Elder, & Co.
CARDIGAN — R. W. Chambers American Revolution Constable & Co.
*THE FORAYERS and EUTAW — W. G. Simms American Revolution W. J. Widdleton, New York
* The two last of a series covering the American War period. HORSE-SHOE ROBINSON — J. P. Kennedy Virginia, 1780 R. Bentley, 1835
THE DUKE OF STOCKBRIDGE — E. Bellamy Massachusetts (Shays' Rebellion) Gay & Bird
ANGE PITOU — Dumas (translation) French Revolution period J. M. Dent & Co.
LA COMTESSE DE CHARNY — Dumas (translation) French Revolution period (1789-94) J. M. Dent & Co.
CHEVALIER DE MAISON ROUGE — Dumas (translation) French Revolution period (1793) J. M. Dent & Co.
*THE STORY OF A PEASANT — Erckmann-Chatrian (translation) French Revolution period (1789-1815) Ward, Lock, & Co.
* Collective title of the four tales—"The States-General" (1789), "The Country in Danger" (1792), "Year One of the Republic" (1793), and "Citizen Bonaparte" (1794-1815). Erckmann-Chatrian's "Madame Therese" (translation) is another good story of this period (1792).
THE REDS OF THE MIDI — Felix Gras (translation) French Revolution period W. Heinemann
THE TERROR — Felix Gras (translation) French Revolution period W. Heinemann
THE WHITE TERROR — Felix Gras (translation) French Revolution period W. Heinemann
A TALE OF TWO CITIES — Dickens French Revolution period Chapman & Hall
L'AN '93 — Victor Hugo (trans.) French Revolution period J. M. Dent & Co.
MY LADY MARCIA — Eliza F. Pollard French Revolution period T. Nelson & Sons
THE ATELIER DU LYS — Miss Roberts French Revolution period Longmans, Green, & Co.
ON THE EDGE OF THE STORM — Miss Roberts French Revolution period Warne & Co.
CITOYENNE JACQUELINE — S. Tytler French Revolution period Chatto & Windus
LA VENDEE — Anthony Trollope French Revolution period Colburn, 1850
THE RED COCKADE — Stanley Weyman French Revolution period Longmans, Green, & Co.
MADEMOISELLE MATHILDE — Henry Kingsley French Revolution period Ward, Lock, & Co.
THE ADVENTURES OF FRANCOIS FOUNDER — S. Weir Mitchell French Revolution period Macmillan & Co.
*A STORM-RENT SKY — M. Betham Edwards French Revolution period Hurst & Blackett
* This striking tale deals with Danton's career. In "A Romance ofDijon" (Black) and "The Dream-Charlotte" (Black) Miss BethamEdwards has depicted earlier phases of the Revolution; the last-named novel takes us away from the Capital, to show us how theforces of the time affected the simple folk of Normandy. THE ADVENTURES OF THE COMTE DE LA MUETTE — Bernard Capes French Revolution period W. Blackwood & Sons
OUR LADY OF DARKNESS — Bernard Capes French Revolution period W. Blackwood & Sons
THE RED SHIRTS — Paul Gaulot. (trans.) French Revolution period Chatto & Windus
A GIRL OF THE MULTITUDE — Anonymous French Revolution period Fisher Unwin
THE LITTLE SAINT OF GOD — Lady F. Cunningham French Revolution period Hurst & Blackett
ST. KATHERINE'S BY THE TOWER — Walter Besant French Revolution period (England, 1793) Chatto & Windus
AT THE SIGN OF THE GUILLOTINE — Harold Spender Robespierre, 1794 Fisher Unwin
THE PARSON'S DAUGHTER — Emma Marshall George Romney, the Painter Seeley & Co.
THE MAID OF MAIDEN LANE — Amelia E. Barr New York, 1791 Fisher Unwin
ARTHUR MERVYN — Charles Brocden Brown Philadelphia, 1793 (yellow fever year) H. Maxwell, Phil., 1799
ROPES OF SAND — R. E. Francillon North Devon, 1793 Chatto & Windus
A BUSINESS IN GREAT WATERS — Julian Corbett Sussex Smugglers and French Conspirators Methuen & Co.
THE WHITES AND THE BLUES — Dumas (translation) Rise of Napoleon (1793-9) J. M. Dent & Co.
THE CHOIR INVISIBLE — James Lane Allen Kentucky, 1795 Macmillan & Co.
THE MILLS OF GOD — Elinor Macartney Lane Virginia and England D. Appleton & Co.
THE KING'S OWN — Marryatt Mutiny at the Nore, 1797 J. M. Dent & Co.
ADMIRAL — Douglas Sladen Nelson, 1798-9 Hutchinson & Co.
THE BATTLE OF THE STRONG — Gilbert Parker Jersey, &c., end of Eighteenth Century Methuen & Co.
IN PRESS-GANG DAYS — E. Pickering Battle of the Nile, &c. Warne & Co.
THE ANTIQUARY — Scott Scotch Manners, last decade of Eighteenth Century A. & C. Black
THE KING'S DEPUTY — H. A. Hinkson Dublin in time of Grattan Lawrence & Bullen
RORY O'MORE — S. Lover Ireland (the '98 Rebellion) Constable & Co.
KATHLEEN MAVOURNEEN — Randal McDonnell Ireland (the '98 Rebellion) Fisher Unwin
TWO CHIEFS OF DUNBOY — J. A. Froude Ireland (the '98 Rebellion) Longmans, Green, & Co.
THE REBELS — M. McD. Bodkin Ireland (the '98 Rebellion) Ward, Lock, & Co.
UP FOR THE GREEN — H. A. Hinkson Ireland (the '98 Rebellion) Lawrence & Bullen
THE CROPPY — John and Michael Banim Ireland (the '98 Rebellion) Henry Colburn, 1828
THE INIMITABLE MRS. MASSINGHAM — Herbert Compton Gretna Green & Botany Bay, 1799 Chatto & Windus
THE COMPANIONS OF JEHU — Dumas (translation) Napoleon in Egypt (1799-1800) J. M. Dent & Co.
THE MINISTER'S WOOING — Mrs. Beecher Stowe American Manners (late Eighteenth to early Nineteenth Century.) Sampson Low & Co.
LITTLE JARVIS — M. E. Seawell American quarrel with France (Constellation cruises, 1798-1800.) D. Appleton & Co.
THE HUNGARIAN BROTHERS — A. M. Porter Vienna in the last decade of the Century Warne & Co.
NINETEENTH CENTURY (EARLY AND MID)THE CHOUANS — Balzac (translation) Brittany in 1800 J. M. Dent & Co.
RODNEY STONE — Conan Doyle English Social Life, beginning of Nineteenth Century Smith, Elder, & Co.
THE LORDS OF STROGUE — Lewis Wingfield Ireland at the Union Bentley, 1879
SWALLOW BARN — J. P. Kennedy Virginian Life, beginning of Nineteenth Century G. P. Putnam, 1851
BLENNERHASSETT — C. F. Pidgin America—time of Aaron Burr C. M. Clark Publishing Co., Boston
A SON OF THE REVOLUTION — Elbridge S. Brooks America—time of Aaron Burr Wilde & Co., Boston
THE MAN WITHOUT A COUNTRY — E. E. Hale America—time of Aaron Burr (1805-7) Roberts, Boston
AT THE POINT OF THE BAYONET — G. A. Henty Battle of Assaye, &c. Blackie & Son
THE HOUR AND THE MAN — Harriet Martineau Toussaint L'Ouverture Cassell ("Red Library," 1886)
THE ADVENTURES OF A GOLDSMITH — M. H. Bourchier France—Royalist Conspiracy under the Consulate Elkin Mathews
PICCIOLA — X. B. Saintine (trans.) Earlier Napoleonic period Sampson Low & Co.
A BOY OF THE FIRST EMPIRE — Elbridge S. Brooks Napoleon, Fouche, &c. (1806-15) S. W. Partridge & Co.
WHEN GEORGE III. WAS KING — A. Sagon Time of Nelson Sands & Co.
SPRINGHAVEN — R. D. Blackmore Time of Nelson (Trafalgar) Sampson Low & Co.
*TRAFALGAR — B. Perez Galdos (trans.) Time of Nelson (Trafalgar) Trubner & Co., 1884
* One of the series (20 vols.), "Episodios Nacionales," dealingwith the Spanish War of Independence. AFLOAT WITH NELSON — Charles H. Eden Time of Nelson (Trafalgar) J. Macqueen
RUHE IST DIE ERSTE BURGERFLICHT and ISEGRIMM — Wilibald Alexis Prussia—Invasion of Napoleon, &c. Barthol, Berlin (1852 and 1854)
RAFAEL — Ernest Daudet (trans.) Spain—Charles IV. and Napoleon Sampson Low & Co.
TOM BURKE Of "OURS" — Charles Lever French Wars (Consulate—Empire) Downey & Co. and Geo. Routledge & Sons
THE AIDE-DE-CAMP — James Grant Battle of Maida, 1806 Geo. Routledge & Sons
CHARLES O'MALLEY — Charles Lever Peninsular War Downey & Co. and Geo. Routledge & Sons
ALICE LORRAINE — R. D. Blackmore Peninsular War Sampson Low & Co.
THE ROMANCE OF WAR — James Grant Peninsular War Geo. Routledge & Sons
WITH MOORE AT CORUNNA and UNDER WELLINGTON'S COMMAND — G. A. Henty Peninsular War Blackie & Son
THE SUBALTERN — G. R. Gleig Peninsular War W. Blackwood & Sons
THE BIVOUAC — W. H. Maxwell Peninsular War Geo. Routledge & Sons
SONS OF THE SWORD — Margaret L. Woods Peninsular War W. Heinemann
WITH THE RED EAGLE — W. Westall Austria, early Nineteenth Century Chatto & Windus
A RED BRIDAL — W. Westall Austria, early Nineteenth Century (Hofer.) Chatto & Windus
WAR AND PEACE — Tolstoy (translation) Napoleon's Russian Campaign Walter Scott
KENNETH — Charlotte M. Yonge Napoleon's Russian Campaign Macmillan & Co.
THROUGH RUSSIAN SNOWS — G. A. Henty Napoleon's Russian Campaign Blackie & Son
SHIRLEY — Charlotte Bronte The "Luddite" Riots Smith, Elder, & Co.
FOREST FOLK — James Prior The "Luddite" Riots W. Heinemann
AN OCEAN FREE LANCE — Clark Russell Privateering in 1812 Sampson Low & Co.
ST. RONAN'S WELL — Scott Near Firth of Forth, 1812 A. & C. Black
D'RI AND I. — Irving Bacheller America—War of 1812 Grant Richards
THE BIG BROTHER — G. C. Eggleston America—War of 1812. Indian War, 1813 G. P. Putnam's Sons
IN THE YEAR '13 — Fritz Renter (trans.) French occupation of Mecklenburg Sampson Low & Co. (Tauchnitz edition, 1867)
UNCLE BERNAC — Conan Doyle Napoleon and his time Smith, Elder, & Co.
EXPLOITS OF BRIGADIER GERARD — Conan Doyle Napoleon and his time George Newnes
THE SHADOW OF THE SWORD — R. Buchanan Napoleon and his time (Elba.) Chatto & Windus
GRANTLEY FENTON — M. M. Blake Napoleon and his time (Elba.) Jarrold & Sons
VENGEANCE IS MINE — A. Balfour Napoleon and his time (Elba.) Methuen & Co.
FACE TO FACE WITH NAPOLEON and IN THE YEAR OF WATERLOO — O. V. Caine Napoleon and his time J. Nisbet & Co.
ONE OF THE 28th. — G. A. Henty Napoleon and his time (Waterloo.) Blackie & Son
THE BLOCKADE — Erckmann-Chatrian (translation) Napoleon and his time Ward, Lock, & Co.
*THE CONSCRIPT and WATERLOO — Erckmann-Chatrian (translation) Napoleon and his time Ward, Lock, & Co.
* These two books depict the period September, 1812-July, 1815. STORIES OF WATERLOO — W. H. Maxwell Napoleon and his time Geo. Routledge & Sons
THE GREAT SHADOW — Conan Doyle Napoleon and his time (Waterloo.) J. W. Arrowsmith
ST. IVES — R. L. Stevenson French prisoner in England, 1813—14 W. Heinemann
CHEAP JACK ZITA — S. Baring-Gould The Fen Riots Methuen & Co.
LES MISERABLES — Victor Hugo (trans.) France, 1815 J. M. Dent & Co.
LAZARRE — Mrs. Catherwood Son of Louis XVI. (France and America, 1795-1815) Grant Richards
THE NAMELESS CASTLE — M. Jokai (trans.) Daughter of Louis XVI. (Hungary in the Napoleonic period) Jarrold & Sons
LORDS OF THE NORTH — Agnes C. Laut Canada—Hudson Bay Company versus North-West Company W. Heinemann
THE REVOLUTION IN TANNER'S LANE — Mark Rutherford Nonconformity, early Nineteenth Century Fisher Unwin
THE MANCHESTER MAN — Mrs. G. L. Banks Manchester, early Nineteenth Century (Peterloo) George Newnes
VANITY FAIR — Thackeray "High Life," George III.-IV. Smith, Elder, & Co.
MIS'ESS JOY — John Le Breton Last Years of the Regency J. Macqueen
YEOMAN FLEETWOOD — M. E. Francis (Mrs. Blundell) Last Years of the Regency Longmans, Green, & Co.
A LADY OF THE REGENCY — Mrs. Stepney Rawson Time of George IV. Hutchinson & Co.
TAKEN FROM THE ENEMY — Henry Newbolt Time of George IV. (Plot to rescue Napoleon, 1821.) Chatto & Windus
ROYAL GEORGIE — S. Baring-Gould Time of George IV. Methuen & Co.
THE VINTAGE and CAPSINA — E. F. Benson Greek War of Independence, 1821 Methuen & Co.
BLACK PROPHET — W. Carleton Ireland, in 1822 Simms & Co., 1847
THE WHITEBOY — Mrs. S. C. Hall Ireland, in 1822 Geo. Routledge & Sons
HUNGARIAN NABOB — M. Jokai (translation) Hungary, 1822 Jarrold & Sons
THE GREEN BOOK — M. Jokai (translation) Russia, 1825 Jarrold & Sons
THADDEUS OF WARSAW — Jane Porter Poland, about 1830 Geo. Routledge & Sons
THE FIERY DAWN — M. E. Coleridge Duchesse de Berri (1831-2) E. Arnold
THE SHE WOLVES OF MACHECOUL — Dumas (translation) Duchesse de Berri (1795-1843) J. M. Dent & Co.
THE FIREBRAND — S. R. Crockett Spain—Queen Cristina and the Carlists Macmillan & Co.
IN KEDAR'S TENTS — H. S. Merriman The Carlists Smith, Elder, & Co.
FOR THE RIGHT — Karl Emil Franzos (translation) Carpathian district, 1835 James Clarke & Co.
MIDDLEMARCH — George Eliot Time of William IV. W. Blackwood & Sons
FELIX HOLT — George Eliot Time of William IV. W. Blackwood & Sons
UNDER THE MENDIPS — Emma Marshall Time of William IV. (Bristol Riots.) Seeley & Co.
TREWERN — R. M. Thomas Time of William IV. (Wales.) Fisher Unwin
SWALLOW — H. Rider Haggard South Africa—the Great Trek, 1836 Longmans, Green, & Co.
JOHN CHARITY — H. A. Vachell First years of Queen Victoria's reign. (Hants and California). John Murray
ALTON LOCKE — Charles Kingsley Early Victorian period (Chartists) Macmillan & Co.
SYBIL — Disraeli Early Victorian period (Chartists) Longmans, Green, & Co.
TO HERAT AND CABUL — G. A. Henty First Afghan War Blackie & Son
CASTLE RICHMOND — Anthony Trollope Irish Famine Chapman & Hall, 1860
CASTLE DALY — Miss Keary Irish Famine Macmillan & Co.
MONONIA — Justin McCarthy Ireland, 1848 Chatto & Windus
ISHMAEL — Miss Braddon France (Louis Philippe-Napoleon III.) J. & R. Maxwell
JOURNEYMAN LOVE — Mrs. Stepney Rawson France. (Period of tile '48 Revolution). Hutchinson & Co.
MADEMOISELLE MORI — Miss Roberts Italian Revolution, 1848 Longmans, Green, & Co
*DR. ANTONIO — G. D. Ruffini Italian Revolution, 1848 Thos. Constable & Co., Edinburgh, 1855
* A remarkable example of a foreigner's mastery of our language.Ruffini, the illustrious Italian patriot, wrote this novel after asojourn of some years in England. VITTORIA — George Meredith Italian Revolution, 1848 Constable & Co.
FOR FREEDOM — Tighe Hopkins War of Italian Liberation, 1859 Chatto & Windus
OUT WITH GARIBALDI — G. A. Henty War of Italian Liberation, 1859 Blackie & Son
DEBIT AND CREDIT — Freytag (translation) Silesia, 1848 Bentley, 1857
THE BARON'S SONS — M. Jokai (translation) Hungarian Revolution, 1848. J. Macqueen
MANASSEH — M. Jokai (translation) Italy and Transylvania, 1848-59 J. Macqueen
RAVENSHOE — Henry Kingsley Period of Crimean War Ward, Lock, & Co.
*SEVASTOPOL — Tolstoy (translatton) Period of Crimean War Grant Richards
* This powerful sketch can hardly be described as "romance," but Ifelt that my Crimean section would be incomplete without it. THE INTERPRETER — G. J. Whyte Melville Period of Crimean War W. Thacker & Co. and Ward, Lock, & Co.
BY CELIA'S ARBOUR — W. Besant and J. Rice Period of Crimean War Chatto & Windus
A GALLANT GRENADIER — Captain Brereton Period of Crimean War Blackie & Son
SEETA — Meadows Taylor Indian Mutiny Kegan, Paul, & Co.
THE DILEMMA — Sir George Chesny Indian Mutiny W. Blackwood & Sons
ON THE FACE OF THE WATERS — Mrs. F. A. Steel Indian Mutiny (Siege of Delhi) W. Heinemann
FLOTSAM — H. Seton Merriman Indian Mutiny Longmans, Green, & Co.
FOR THE OLD FLAG — Clive Robert Fenn Indian Mutiny Sampson Low & Co.
JENETHA'S VENTURE — Colonel Harcourt Indian Mutiny Cassell & Co.
EBEN HOLDEN — Irving bacheller New York Journalism (Horace Greeley) Fisher Unwin
THE CRISIS — Winston Churchill American Civil War period Macmillan & Co.
THE RED BADGE OF COURAGE — Stephen Crane American Civil War period W. Heinemann
WITH LEE IN VIRGINIA — G. A. Henty American Civil War period Blackie & Son
THE DESERTER, and A DAY IN THE WILDERNESS (In "The Deserter and other stories") — Harold Frederic American Civil War Period Lothrop Publishing Co.
THE COPPERHEAD AND OTHER TALES — Harold Frederic American Civil War Period W. Heinemann
WHO GOES THERE? and FRIEND WITH THE COUNTERSIGN — B. K. Benson American Civil War Period Macmillan & Co.
THE CAVALIER — George W. Cable American Civil War Period John Murray
HENRY BOURLAND — Albert Elmer Hancock American Civil War Period Macmillan & Co.
*RED ROCK — T. Nelson Page American Civil War Period W. Heinemann
* Depicts the Reconstruction period in the Southern States justafter the War. AN EMPEROR'S DOOM — Herbert Hayens Mexican War of Independence T. Nelson & Sons
LAY DOWN YOUR ARMS — Baroness von Suttner (translation) Foreign Wars, 1864-70 Longmans, Green, & Co.
FOR SCEPTRE AND CROWN — G. Samarow (trans.) Prussia v. Austria, 1866 H. S. King & Co., 1875
THE MEMBER FOR PARIS — E. C. Grenville Murray France—Napoleon III. Smith, Elder, & Co., 1871
HISTOIRE DU PLEBISCITE — Erckmann-Chatrian Franco-German War Period J. Hetzel et Cie.
LORRAINE — Robert W. Chambers Franco-German War Period G. P. Putnam's Sons
VALENTIN — Henry Kingsley Ward, Lock, & Co. Ditto.
THE ISLE OF UNREST — H. S. Merriman Franco-German War Period (Corsica) Smith, Elder, & Co.
THE GARDEN OF SWORDS — Max Pemberton Franco-German War Period (Strasburg). Cassell & Co.
ASHES OF EMPIRE — Robert W. Chambers Franco-German War Period Macmillan & Co.
THE DOWNFALL — E. Zola (translation) Franco-German War Period (Sedan) Chatto & Windus
*UNE EPOQUE — Paul et Victor Margueritte Franco-German War Period Plon-Nourrit et Cie., Paris
* Collective title of the 4 novels—"Le Desastre" (Metz, 1870), "Les Troncons du Glaive" (La Defense nationale. 1870-71), "Les Braves Gens" (Episodes, 1870-71), and "La Commune" (Paris, 1875). The last-named has still (January, 1902) to appear. Messrs. Chatto & Windus have published an English translation of "Le Desastre."
THE PARISIANS — Lytton Paris Commune Geo. Routledge & Sons
THE RED REPUBLIC — Robert W. Chambers Paris Commune G. P. Putnam's Sons
THE VELVET GLOVE — H. S. Merriman Spain, 1870—The Carlists Smith, Elder, & Co.
* SUPPLEMENTARY LIST OF NOTABLE NOVELS,Which, while not strictly "Historical," in some way representbygone periods. * Nothing like exhaustiveness is claimed for this "SupplementaryList;" the method of study therein indicated might be indefinitelyextended, but the few works given form an almost necessarystarting-point. A less restricted list would, of course, includethe Semi-Historic examples of such Foreign authors as Madame deStael, Balzac, Spielhagen, &c. The purport of this book beingprimarily in the direction of Historical Romance proper, I haveconfined my attention here to a few works on the borderland of myIntroductory definition. THE FOREST LOVERS — Maurice Hewlett Mediaeval Life Macmillan & Co.
THE SCARLET LETTER — Nathaniel Hawthorne Massachusetts, end of Seventeenth Century Walter Scott and others
CASTLE RACKRENT — Maria Edgeworth Irish character, early Eighteenth Century Macmillan & Co.
TREASURE ISLAND — R. L. Stevenson Adventure, middle Eighteenth Century Cassell & Co.
TOM JONES — Fielding English Life and Manners, middle Eighteenth Century J. M. Dent & Co.
CLARISSA HARLOWE — Richardson English Life and Manners, middle Eighteenth Century Chapman & Hall
THE VICAR OF WAKEFIELD — Goldsmith English Rural Life, Eighteenth Century Macmillan & Co.
ANNALS OF THE PARISH — John Galt Scotch Village Life, 1760-1810 W. Blackwood & Sons
EVELINA — Frances Burney Fashionable manners, end Eighteenth Century J. M. Dent & Co.
PRIDE AND PREJUDICE — Jane Austen Everyday Society, beginning of Nineteenth Century Macmillan & Co.
ADAM BEDE — George Eliot English Rural Life, beginning of Nineteenth Century W. Blackwood & Sons
DESTINY — Susan E. Ferrier Scotch character, beginning of Nineteenth Century J. M. Dent & Co.
TRAITS AND STORIES OF THE IRISH PEASANTRY — William Carleton Irish Peasant-life, beginning of Nineteenth Century J. M. Dent & Co.
O'DONNEL — Lady Morgan Irish character, beginning of Nineteenth Century Colburn, 1814
THE GRANDISSIMES — G. W. Cable America, early Nineteenth Century (Creole life) Hodder & Stoughton
PENDENNIS and THE NEWCOMES — Thackeray Late Georgian—Early Victorian manners Smith Elder & Co.
CRANFORD — Mrs. Gaskell English Provincial Life in the second quarter of the Nineteenth Century Macmillan & Co.
PERLYCROSS — R. D. Blackmore English Provincial Life in the second quarter of the Nineteenth Century Sampson Low & Co.
THE BLITHEDALE ROMANCE — Nathaniel Hawthorne Margaret Fuller and the "Brook Farm" group, under fictitious names. Walter Scott
THE TRAGIC COMEDIANS — George Meredith Ferdinand Lassalle, under fictitious name Constable & Co.
UNCLE TOM'S CABIN — Mrs. H. Beecher-Stowe Slavery in America Routledge, Cassell, and others
A KENTUCKY CARDINAL AND AFTERMATH — James Lane Allen American Manners, 1850 Macmillan & Co.
BARCHESTER TOWERS — Anthony Trollope Life in an English Cathedral City, middle of Nineteenth Century Chapman & Hall
SUNNINGWELL — F. Warre Cornish "High Church" and "Broad Church," middle of Nineteenth Century Constable & Co.
BEAUCHAMP'S CAREER — George Meredith English Politics, middle of Nineteenth Century Constable & Co.
MARY BARTON — Mrs. Gaskell Manufacturing Districts, middle of Nineteenth Century Smith, Elder, & Co.
SUGGESTED COURSES OF READING—JUVENILE.As likely to assist Parents and Teachers, I propose to give twolists (covering English History from the Norman Conquest) for Boysand Girls respectively; but a passing allusion may, first of all,be made to tales dealing with more ancient periods. For theillustration of Greek and Roman History, those books of ProfessorA. J. Church which are entered in my Pre-Christian section may besafely recommended; while the pictures of First Century life givenin Wallace's "Ben Hur," Lytton's "Last Days of Pompeii," and WhyteMelville's "The Gladiators" are, perhaps, as likely to interest anintelligent boy or girl in the "teen" stage as any similarproductions that could be mentioned. Turning to the Early Historyof our own isle, I would specially mention Mr. Henty's "Beric theBriton"; the "Aescendune" series of tales ("Edwy the Fair," "Alfgarthe Dane," and "The Rival Heirs") by the late Rev. A. D. Crake; Mr.C. W. Whistler's "Havelok the Dane," "A Thane of Wessex," &c.; andthe various books chosen to represent Alfred and his times. In preparing the following lists, I have had in view, for the mostpart, the average Juvenile taste; doubtless many of the moreadvanced works might be offered in special cases, but, in regard tothat, the Parent or Teacher can alone judge. Some of the talesentered in (I.) reappear in (II.), but a comparison will discloseimportant differences. A reference to the General List will, inmost cases, reveal a more exact specification; for the sake ofconvenience, the tales are here grouped according to Reigns only. Of the romances dealing with American and Foreign History to befound in the foregoing pages, many are suitable for young readers;but the sequence not being very close (for any lengthy period atleast), separate lists would appear superfluous. Such writers (tomention only a few) as Fennimore Cooper, Mrs. J. G. Austin, G. C.Eggleston, Kirk Munroe, and Elbridge S. Brooks, may be particularlyrecommended for American History; while Scott, Dumas, Charlotte M.Yonge, Miss Roberts (author of "Mademoiselle Mori"), and G. A.Henty, have all illustrated—in more or less adequate fashion—thecourse of events in Foreign Countries. The novels of Dumas are notinfrequently considered somewhat "strong meat," but his " She-Wolves of Machecoul" and "Black Tulip" may be safely placed in anyhands. ENGLISH HISTORY SINCE THE CONQUEST (Boys). HAROLD — Lytton Norman Conquest, Harold—William I. Geo. Routledge & Sons
THE CAMP OF REFUGE — C. Macfarlane Norman Conquest, Harold—William I. Constable & Co.
HEREWARD THE WAKE — Charles Kingsley Norman Conquest, Harold—William I. Macmillan & Co.
WULF THE SAXON — G. A. Henty Norman Conquest, Harold—William I. Blackie & Son
IN THE DAYS OF ST. ANSELM — G. Hollis William II. Society for Promoting Christian Knowledge
COUNT ROBERT OF PARIS — Scott William II. A. & C. Black
*PABO THE PRIEST — S. Baring-Gould Henry I. Methuen & Co.
* This, the only substantial tale dealing directly with the reignof Henry I., is hardly suitable for very young folk, but it willinterest those with older tastes. THE LEGEND OF READING ABBEY — C. Macfarlane Stephen Constable & Co.
THE KNIGHT OF THE GOLDEN CHAIN — R. D. Chetwode Stephen C. A. Pearson
THE BETROTHED — Scott Henry II. A. & C. Black
FOREST OUTLAWS — E. Gilliat Henry II. Seeley & Co.
THE TALISMAN — Scott Richard I. A. & C. Black
IVANHOE — Scott Richard I. A. & C. Black
RUNNYMEDE AND LINCOLN FAIR — J. G. Edgar John Ward, Lock, & Co.
A STOUT ENGLISH BOWMAN — E. Pickering Henry III. Blackie & Son
HOW I WON MY SPURS — J. G. Edgar Henry III. Ward, Lock, & Co.
THE KING'S REEVE — E. Gilliat Edward I. Seeley & Co.
IN FREEDOM'S CAUSE — G. A. Henty Wallace and Bruce, Edward I.—Edward II. Blackie & Son
THE CHEVALIER OF THE SPLENDID CREST — Sir Herbert Maxwell Wallace and Bruce, Edward I.—Edward II. W. Blackwood & Sons
THE WHITE COMPANY — Conan Doyle Edward III. Smith, Elder, & Co.
THE LANCES OF LYNWOOD — Charlotte M. Yonge Edward III. Macmillan & Co.
CRECY AND POICTIERS — J. G. Edgar Edward III. Ward, Lock, & Co.
ST. GEORGE FOR ENGLAND — G. A. Henty Edward III. Blackie & Son
JOHN STANDISH — E. Gilliat Richard II. Seeley & Co.
A MARCH ON LONDON — G. A. Henty Richard II. Blackie & Son
BOTH SIDES OF THE BORDER — G. A. Henty Henry IV. Blackie & Son
IN THE DAYS OF PRINCE HAL — H. Elrington Henry V. Blackie & Son
AT AGINCOURT — G. A. Henty Henry V. Blackie & Son
AGINCOURT — G. P. R. James Henry V. Warne & Co.
THE LAST OF THE BARONS — Lytton Wars of the Roses, Henry VI.—Edward IV. Geo. Routledge & Sons
THE BLACK ARROW — R. L. Stevenson Wars of the Roses, Henry VI.—Edward IV. Cassell & Co.
THE CHANTRY PRIEST OF BARNET — A. J. Church Wars of the Roses, Henry VI.—Edward IV. Seeley & Co.
HOW DICKON CAME BY HIS NAME and WHERE AVON INTO SEVERN FLOWS — Harold Frederic Wars of the Roses, Henry VI.—Edward IV. Lothrop Publishing Co.
RED ROSE AND WHITE — A. Armitage Richard III. J. Macqueen
THE WOODMAN — G. P. R. James Richard III. Warne & Co.
THE HEIR OF HASCOMBE HALL — E. Everett Green Henry VII. T. Nelson & Sons
THE CAPTAIN OF THE WIGHT — F. Cowper Henry VII. Seeley & Co.
WINDSOR CASTLE — Harrison Ainsworth Henry VIII. Geo. Routledge & Sons
THE ARMOURER'S 'PRENTICES — Charlotte M. Yonge Henry VIII. Macmillan & Co.
THE PRINCE AND THE PAUPER — Mark Twain Edward VI. Chatto & Windus
THE COLLOQUIES OF EDWARD OSBORNE — A. Manning Edward VI. J. C. Nimmo
THE TOWER OF LONDON — Harrison Ainsworth Mary Geo. Routledge & Sons
SEETHING DAYS — Caroline C. Holroyd Mary A. D. Innes & Co.
KENILWORTH — Scott Elizabeth A. & C. Black
WESTWARD HO! — Charles Kingsley Elizabeth Macmillan & Co.
MASTER SKYLARK — J. Bennett Elizabeth Macmillan & Co.
SIR LUDAR — T. Baines Reed Elizabeth Sampson Low & Co.
THE FORTUNES OF NIGEL — Scott James I. A. & C. Black
THE LANCASHIRE WITCHES — Harrison Ainsworth James I. Geo. Routledge & Sons
THE BLACK TOR — G. Manville Fenn James I. W. & R. Chambers
HOLMBY HOUSE — Whyte Melville Charles I. Ward, Lock, & Co.
THE SPLENDID SPUR — "Q" Charles I. Cassell & Co.
WITH THE KING AT OXFORD — A. J. Church Charles I. Seeley & Co.
WHEN CHARLES I. WAS KING — J. S. Fletcher Charles I. Gay & Bird
HUGH GWYETH — B. M. Dix Charles I. Macmillan & Co.
JOHN MARMADUKE — S. H. Church Commonwealth G. P. Putnam's Sons
WOODSTOCK — Scott Commonwealth A. & C. Black
CAPTAIN JACOBUS — L. Cope Cornford Commonwealth Methuen & Co.
OLD ST. PAUL'S — Harrison Ainsworth Charles II. Geo. Routledge & Sons
WHITEFRIARS — Anonymous Charles II. Geo. Routledge & Sons
TRAITOR OR PATRIOT? — M. C. Rowsell Charles II. Blackie & Son
SILAS VERNEY — Edgar Pickering Charles II. Blackie & Son
OLD MORTALITY — Scott Charles II. A. & C. Black
LORNA DOONE — R. D. Blackmore James II. Sampson Low & Co.
MICAH CLARKE — Conan Doyle James II. Longmans, Green, & Co.
FOR FAITH AND FREEDOM — Walter Besant James II. Chatto & Windus
THE COURTSHIP OF MORICE BUCKLER — A. E. W. Mason James II. Macmillan & Co.
BLUE PAVILIONS — "Q" William III. Cassell & Co.
A MAN'S FOES — E. H. Strain William III. Ward, Lock, & Co.
ST. JAMES'S — Harrison Ainsworth Anne Geo. Routledge & Sons
THE CORNET OF HORSE — G. A. Henty Anne Sampson Low & Co.
THE BRAVEST OF THE BRAVE — G. A. Henty Anne Blackie & Son
TOM TUFTON'S TRAVELS and TOM TUFTON'S TOLL — E. Everett Green Anne T. Nelson & Sons
ROB ROY — Scott George I. A. & C. Black
DOROTHY FORSTER — W. Besant George I. Chatto & Windus
THE MISER'S DAUGHTER — Harrison Ainsworth George II. Geo. Routledge & Sons
WAVERLEY — Scott George II. A. & C. Black
NED LEGER — G. Manville Fenn George II. Society for Promoting Christian Knowledge
THE FORTUNES OF CLAUDE — E. Pickering George II. Warne & Co.
THE MASTER OF BALLANTRAE — R. L. Stevenson George II. Cassell & Co.
KIDNAPPED — R. L. Stevenson George II. Cassell & Co.
CATRIONA — R. L. Stevenson George II. Cassell & Co.
BARNABY RUDGE — Charles Dickens George III. Chapman & Hall
IN PRESS-GANG DAYS — E. Pickering George III. Warne & Co.
AT THE POINT OF THE BAYONET — G. A. Henty George III. Blackie & Son
WHEN GEORGE III. WAS KING — A. Sagon George III. Sands & Co.
AFLOAT WITH NELSON — Chas. H. Eden George III. J. Macqueen
THE ROMANCE OF WAR — James Grant George III. Geo. Routledge & Sons
WITH MOORE AT CORUNNA and UNDER WELLINGTON'S COMMAND — G. A. Henty George III. Blackie & Son
GRANTLEY FENTON — M. M. Blake George III. Jarrold & Sons
FACE TO FACE WITH NAPOLEON and IN THE YEAR OF WATERLOO — O. V. Caine George III. J. Nisbet & Co.
ONE OF THE 28TH — G. A. Henty George III. Blackie & Son
A GALLANT GRENADIER — Captain Brereton Crimean War Blackie & Son
FOR THE OLD FLAG — C. R. Fenn Indian Mutiny Sampson Low & Co.
ENGLISH HISTORY SINCE THE CONQUEST (GIRLS).HAROLD — Lytton Norman Conquest, Harold—William I. Geo. Routledge & Sons
THE CAMP OF REFUGE — C. Macfarlane Norman Conquest, Harold—William I. Constable & Co.
IN THE DAYS OF ST. ANSELM — G. Hollis William II. Society for Promoting Christian Knowledge
COUNT ROBERT OF PARIS — Scott William II. A. & C. Black
*PABO THE PRIEST — S. Baring-Gould Henry I. Methuen & Co.
* This, the only substantial tale dealing directly with the reignof Henry I., is hardly suitable for very young folk, but it willinterest those with older tastes. THE LEGEND OF READING ABBEY — C. Macfarlane Stephen Constable & Co.
THE BETROTHED — Scott Henry II. A. & C. Black
FOREST OUTLAWS — E. Gilliat Henry II. Seeley & Co.
THE TALISMAN — Scott Richard I. A. & C. Black
IVANHOE — Scott Richard I. A. & C. Black
RUNNYMEDE AND LINCOLN FAIR — J. G. Edgar John Ward, Lock, & Co.
A CLERK OF OXFORD — E. Everett Green Henry III. T. Nelson & Sons
THE ROBBER BARON OF BEDFORD CASTLE — A. J. Foster and E. C. Cuthell Henry III T. Nelson & Sons
THE PRINCE AND THE PAGE — Charlotte M. Yonge Henry III Macmillan & Co.
THE KING'S REEVE — E. Gilliat Edward I. Seeley & Co.
THE LORD OF DYNEOVER — E. Everett Green Edward I. T. Nelson & Sons
THE SCOTTISH CHIEFS — Jane Porter Wallace and Bruce (Edward I.—Edward II.) J. M. Dent & Co.
THE DAYS OF BRUCE — Grace Aguilar Wallace and Bruce (Edward I.—Edward II.) Warne & Co.
GOD, THE KING, MY BROTHER — Mary F. Nixon Roulet Edward III. Ward, Lock, & Co.
THE LANCES OF LYNWOOD — Charlotte M. Yonge Edward III. Macmillan & Co.
IN THE DAYS OF CHIVALRY — E. Everett Green Edward III. T. Nelson & Sons
ROBERT ANNYS, POOR PRIEST — Annie N. Meyer Richard II. Macmillan & Co.
THE BANNER OF ST. GEORGE — M. Bramston Richard II. Duckworth & Co.
BOTH SIDES OF THE BORDER — G. A. Henty Henry IV. Blackie & Son
IN THE DAYS OF PRINCE HAL — H. Elrington Henry V. Blackie & Son
A CHAMPION OF THE FAITH — J. M Callwell Henry V. Blackie & Son
AGINCOURT — G. P. R. James Henry V. Warne & Co.
TWO PENNILESS PRINCESSES — Charlotte M. Yonge Henry VI. Macmillan & Co.
THE LAST OF THE BARONS — Lytton Wars of the Roses (Henry VI.—Edward IV.) Geo. Routledge & Sons
GRISLY GRISSELL — Charlotte M. Yonge Wars of the Roses (Henry VI.—Edward IV.) Macmillan & Co.
IN THE WARS OF THE ROSES — E. Everett Green Wars of the Roses (Henry VI.—Edward IV.) T. Nelson & Sons
RED ROSE AND WHITE — A. Armitage Richard III. J. Macqueen
THE WOODMAN — G. P. R. James Richard III. Warne & Co
THE HEIR OF HASCOMBE HALL — E. Everett Green Henry VII. T. Nelson & Sons
THE HOUSEHOLD OF SIR THOMAS MORE — A. Manning Henry VIII. J. C. Nimmo
MY FRIEND ANNE — Jessie Armstrong Henry VIII. Warne & Co.
THE ARMOURER'S PRENTICES — Charlotte M. Yonge Henry VIII. Macmillan & Co.
THE PRINCE AND THE PAUPER — Mark Twain Edward VI. Chatto & Windus
THE MAID OF LONDON BRIDGE — S. Gibney Edward VI. Jarrold & Sons
THE COLLOQUIES OF EDWARD OSBORNE — A. Manning Edward VI.—Mary J. C Nimmo
SEETHING DAYS — Caroline C. Holroyd Edward VI.—Mary A. D. Innes & Co.
KENILWORTH — Scott Elizabeth A. & C. Black
WESTWARD HO! — Charles Kingsley Elizabeth Macmillan & Co.
UNKNOWN TO HISTORY — Charlotte M. Yonge Elizabeth Macmillan & Co.
PENSHURST CASTLE — Emma Marshall Elizabeth Seeley & Co.
MASTER SKYLARK — J. Bennett Elizabeth Macmillan & Co.
THE FORTUNES OF NIGEL — Scott James I. A. & C. Black
THE LOST TREASURE OF TREVLYN — E. Everett Green James I. T. Nelson & Sons
HOLMBY HOUSE — Whyte Melville Charles I. Ward, Lock, & Co.
MIRIAM CROMWELL — Dora McChesney Charles I. W. Blackwood & Sons
TO RIGHT THE WRONG — Edna Lyall Charles I. Hurst & Blackett
IN SPITE OF ALL — Edna Lyall Charles I. Hurst & Blackett
UNDER SALISBURY SPIRE — Emma Marshall Charles I. Seeley & Co.
A HAUNT OF ANCIENT PEACE — Emma Marshall Charles I. Seeley & Co.
ETHNE — Mrs. Field Commonwealth Wells, Gardner, & Co.
WOODSTOCK — Scott Commonwealth A. & C. Black
ON BOTH SIDES OF THE SEA — Mrs. Charles Commonwealth T. Nelson & Sons
AFTER WORCESTER — E. Everett Green Commonwealth T. Nelson & Sons
IN THE GOLDEN DAYS — Edna Lyall Charles II. Hurst & Blackett
CHERRY AND VIOLET — A. Manning Charles II. J. C. Nimmo
TRAITOR OR PATRIOT? — M. C. Rowsell Charles II. Blackie & Son
THE CARVED CARTOON — Austin Clare Charles II. Society for Promoting Christian Knowledge
OLD MORTALITY — Scott Charles II. A. & C. Black
WINCHESTER MEADS — Emma Marshall Charles II. Seeley & Co.
LORNA DOONE — R. D. Blackmore James II. Sampson Low & Co.
IN THE SERVICE OF RACHEL, LADY RUSSELL — Emma Marshall James II. Seeley & Co.
IN TAUNTON TOWN — E. Everett Green James II. T. Nelson & Sons
A REPUTED CHANGELING — Charlotte M. Yonge James II. Macmillan & Co.
DEB CLAVEL — M. E. Palgrave James II. Religious Tract Society
MY MISTRESS THE QUEEN — M. A. Paull William III. Blackie & Son
KENSINGTON PALACE — Emma Marshall William III. Seeley & Co.
BY THE NORTH SEA — Emma Marshall William III. Jarrold & Sons
A MAN'S FOES — E. H. Strain William III. Ward, Lock, & Co.
THE OLD CHELSEA BUN HOUSE — A. Manning Anne J. C. Nimmo
THE CORNET OF HORSE — G. A. Henty Anne Sampson Low & Co.
TOM TUFTON'S TRAVELS and TOM TUFTON'S TOLLS — E. Everett Green Anne T. Nelson & Sons
DOROTHY FORSTER — W. Besant George I. Chatto & Windus
DUANCE PENDRAY — G. Norway George I. Jarrold & Sons
A LOYAL LITTLE MAID — S. Tytler George I. Blackie & Son
WAVERLEY — Scott George II. A. & C. Black
MISTRESS NANCY MOLESWORTH — Joseph Hocking George II. J. Bowden
THE MASTER OF BALLANTRAE — R. L. Stevenson George II. Cassell & Co.
KIDNAPPED — R. L. Stevenson George II. Cassell & Co.
CATRIONA — R. L. Stevenson George II. Cassell & Co.
THE CHAPLAIN OF THE FLEET — W. Besant George II. Chatto & Windus
AMYOT BROUGH — E. Vincent Briton George II. Seeley & Co.
BARNABY RUDGE — Dickens George III. Chapman & Hall
MISS ANGEL — Miss Thackeray George III. Smith, Elder, & Co.
THE MAID OF SKER — R. D. Blackmore George III. Sampson Low & Co.
ALICE LORRAINE — R. D. Blackmore George III. Sampson Low & Co.
THE PARSON'S DAUGHTER — Emma Marshall George III. Seeley & Co.
FACE TO FACE WITH NAPOLEON and IN THE YEAR OF WATERLOO — O. V. Caine George III. J. Nisbet & Co.
UNDER THE MENDIPS — Emma Marshall William IV. Seeley & Co.
CASTLE DALY — Miss Keary Victoria Macmillan & Co.
In connection with this subject of Juvenile Literature, I would draw attention to Messrs. Constable's "Library of Historical Novels and Romances"—so admirably edited by Mr. G. Laurence Gomme. Readers (old as well as young) are still further indebted to Mr. Gomme for his well-arranged series of extracts taken from Romantic Literature in the four volumes entitled, "The King's Story Book," "The Queen's Story Book," "The Prince's Story Book," and "The Princess's Story Book." (Constable & Co.)
BIBLIOGRAPHYAlthough I have adopted the heading "Bibliography," it should beunderstood that, in offering the subjoined list, I do not claim forit absolute comprehensiveness. There are, of course, almostinnumerable Biographies, Literary Studies, Histories of Literatureand Fiction, &c., in which indirect references to our subject maybe traced. Moreover, in preparing this little volume, it has beenfound necessary to consult largely "The Dictionary of NationalBiography," the Enyclopaedias (especially Chambers', 1901), andother Standard Works of the Dictionary type. I confine myselfbelow to noteworthy writings which deal directly with the subjectof Historical Romance. Article on Historical Romance in The Quarterly Review. Vol. XXXV.,page 518. (March, 1827.) Article on historical Romance ("Sir Walter Scott and hisImitators") in Fraser's Magazine. Vol. V., pages 6 (Part I.) and207 (Part II.). (February and March, 1832.) Article on "The Picturesque Style of Historical Romance" in Blackwood's Magazine. Vol. XXXIII., page 621. (April, 1833.)
Article on "Historical Romance in Italy," by G. W. Greene, in the North American Review. Vol. XLVI., page 325. (April, 1838.)
Article on Historical Romance in Blackwood's Magazine. Vol. LVIII.,page 341. (September, 1845.) Article on Historical Romance, by G. H. Lewes, in The Westminster Review. Vol. XLV., page 34. (March, 1846.)
Article on "History in Fiction," in The Dublin Review. Vol. XLV.,page 328. (December, 1858.) Lecture III. ("Scott and his Influence") in David Masson's "British Novelists and their Styles." (Macmillan, 1859.)
Article on "Historical Novels," by H. James, jun., in The Nation. Vol. V., page 126. (August 15th, 1867.)
Article on Historical Romance in The Argosy. Vol. XVII., page 364. (May, 1874.)
Chapter X. ("The Waverley Novels"), in R. H. Hutton's "Sir WalterScott." (Macmillan's English Men of Letters Series, 1878.)The Essay on "The Waverley Novels," in Vol. II. of Walter Bagehot's "Literary Studies." (Longmans, 1879)
"A Descriptive Catalogue of Historical Novels and Tales. For theuse of School Libraries and Teachers of History. Enlarged from theList in the 'Journal of Education,' March, 1882." Compiled anddescribed by H. Courthope Bowen, M.A. (Edward Stanford, 1882.) The section on "The Historical Novel," in Bayard Tuckerman's "History of English Prose Fiction." (Putnams, 1882.)
The Chapter on "Courses of Reading in History," in James Baldwin's "The Book Lover." (Putnams, 1886.)
The list of Historical Novels given in W. F. Allen's "The Reader'sGuide to English History. With Supplement, extending the plan toother countries and periods." (Ginn & Co., 1888.) [A useful, but very unequal list.] The partially-selective list of Historical Novels in "A Guide Bookto Books," by E. B. Sargant and B. Whishaw. (H. Frowde, 1891.) The essay on "Sir Walter Scott," in Vol. I. of Leslie Stephen's"Hours in a Library." (Smith, Elder, & Co., 1892. New edition,with additions.) [Mr. Leslie Stephen is one of the most formidable critics with whomthe lover of Historical Romance has to deal. That which it ispossible to say against such fiction is said more forcibly by him,perhaps, than by anyone else.] The series of articles dealing with "History in Fiction," &c., by J. B. Carlile, in Great Thoughts, October, 1892, to March, 1894.
Article "The Historical Novel," by Prof. A. J. Church, in Atalantafor April, 1893. The useful and partially-selective lists of Historical Tales given in "The Intermediate Textbook of English History," by C. S. Fearenside and A. Johnson Evans. (W. B. Clive, University Tutorial Press, Ltd., 1893, &c.).
The short selective list of Historical Tales given in the appendixto John Fiske's "History of the United States for Schools." (JamesClarke & Co., 1894.) Article on "The Historical Novel as illustrated by Sir Walter Scott," by Edwin Lester Arnold, in Atalanta for March, 1894.
The essay on "The Historical Novel" in W. P. James's "RomanticProfessions and other papers." (Elkin Mathews and John Lane,1894.) [A re-print, in somewhat revised form, of the suggestive articleappearing in Macmillan's Magazine, November, 1887.] Chapter X. ("Sir Walter Scott") in Prof. Raleigh's "The EnglishNovel." (John Murray, 1894.)Chapters X., XI., and XII. in Prof. Saintsbury's "Essays in English Literature, 1780-1860. Second series." (J. M. Dent & Co., 1895.)
[Originally appeared in Macmillan's Magazine, August, September,and October, 1894. A contribution to the subject of quiteexceptional brilliance and value.] "A Descriptive List of Novels and Tales dealing with the History of North America," by W. M. Griswold. (Cambridge, U.S.A., 1895.)
The Section headed "Historical Tales" in "Guide to the Study ofAmerican History," by E. Channing and A. B. Hart. (Ginn and Co.,1896.) A Letter on "Historical Novels, Past and Present," by "Mazarin," in The Bookman, October, 1896.
Article on "The Indian Mutiny in Fiction," in Blackwood's Magazine, February, 1897.
Article on "The Importance of Illustrating New England History by aseries of Romances," by Rufus Choate, in The New England Magazine,November, 1897. Paper read before the College of Preceptors, on "The Use ofHistorical Romances in the Teaching of History," by R. F. Charlesin The Educational Times, November, 1897. Article on "The American Historical Novel," by Paul Lester Ford, in The Atlantic Monthly, December, 1897.
[In this article a definition of the "Historical Novel" at variancewith my own, has been suggested. In spite of Mr. Fords argument, Iam still of opinion that the line of demarcation between theHistorical Novel proper and the Novel of Character or Adventure canbe more clearly drawn than he allows. I was careful, when dealingwith this question in my Introduction, to avoid making the test oneof actual historical accuracy, but there are, I have implied,certain readily-verifiable personages and events which form a basisamply sufficient for purposes of distinction. The pirates of"Treasure Island" are taken (as Mr. Ford says) from actual figuresof the Eighteenth Century, but under my definition Stevenson'snovel is not thereby constituted "historical" in the strict sense.] Article on "The Neo-Romantic Novel," by G. R. Carpenter, in The Forum, March, 1898.
Article on "Historical Novels Past and Present," by Harold Frederic, in The Bookman (American), December, 1898.
[An admirably-written, stimulating article.) List of Historical Novels, &c., illustrating the Period 1066 to1815, in the volume "Work and Play in Girls' Schools," by DorotheaBeale, Lucy H. M. Soulsby, and Jane Frances Dove (Longmans, 1898). "Le Roman Historique l'Epoque Romantique," by Louis Maigron (Hachette et Cie., Paris, 1898).
[Contains a fine tribute to Scott, and much interesting matter.] Chapters III. and IV. of "The Development of the English Novel," by W. L. Cross (Macmillan, 1899.)
[A very full treatment. In the Appendix are some useful lists ofthe earlier Historical Novels.] Article on "Three American Historical Romances," by W. E. Simonds,in The Atlantic Monthly, March, 1900. Article on "The Reading of Historical Novels and the Study of History," by Ada Shurmer, in The Scots Magazine, April, 1900.
Chapter III. ("The Historical Novel"), in F. H. Stoddard's "TheEvolution of the English Novel" (Macmillan, 1900).[A highly important contribution.] The two sections on Historical Fiction, relating to Greece and Romerespectively, in Arthur L. Goodrich's "Topics of Greek and RomanHistory" (Macmillan, 1900). [For those requiring a fuller list of Greek and Roman tales thanthat given in my pages, the above will be found useful.] Article on "Historical Novels and their uses in teaching," by C. S. Fearenside, in The School World, November, 1900.
[An exceptionally good article. The writer states his case clearlyand forcibly, and his argument is all the more convincing by reasonof its moderation.] Article on "The New Historical Romances," by W. D. Howells, in The North American Review, December, 1900.
The Essay on "The Historical Novel" in Prof. J. Brander Matthews' "The Historical Novel and other essays" (Scribner's, 1901).
[Originally appeared in The Forum, September, 1897. Representsthat School of Criticism which is most adverse to HistoricalRomance. Some of the Professor's remarks convey the impressionthat he disbelieves in ANY reconstruction of the Past; such anattitude is, surely, unfavourable to History itself, which isalways more than any mere statement of "facts."] The List of Historical Novels in Mudie's Library Catalogue (The New Enlarged Edition, January, 1902).
[Non-selective, but useful more especially on account of its Topographical arrangement.]
The list of Historical Tales given in J. S. Lindsey's "Certificate Note-Book of European History, 1814-1848." (Heffer & Sons, Cambridge, 1902).
"History of English Romanticism in the Nineteenth Century," by Henry A. Beers (Kegan Paul & Co., 1902).
[Contains some valuable direct criticism. See especially Chapter I.]
The "Dedicatory Epistle" in Scott's "Ivanhoe." The very brief but exceedingly suggestive opening section in Chapter I. of Charles Reade's "The Cloister and the Hearth."
The Preface to Scheffel's "Ekkehard." NOTE.Some of the American Public Libraries (notably Boston) have issueduseful Lists of Historical Novels. Two works—announced for a considerable time—I should have beenglad to consult; these are Mr. P. L. Ford's "The AmericanHistorical Novel" (Macmillan), and Mr. E. A. Baker's "Guide toFiction" (Sonnensehein). The last-named volume will, I understand,contain a section devoted to Historical Romance. |